GIVE TIL IT HURTS!

The greatest “sorry, not sorry” of all time

Sorry I have great tits.” Not me, baby, not me; Heaven forbid I EVER be sorry that you have great tits. And, from all appearances, you seem to be a pretty great broad, too. That would of course be “broad” in the Sinatra sense—which is entirely complimentary, not meant in any way to be dismissive or derogatory.

Sydney Sweeney appeared to try to silence her critics with a cheeky social media post Sunday.

Sweeney posted a carousel of images to Instagram showcasing her trip to Mexico, and she sent a clear message to her haters in one of them. The star was featured wearing a sweatshirt that read, “Sorry I have great tits,” in a very ‘sorry, not sorry’ moment. The shirt’s unique message can directly or indirectly be seen as a clap-back at Hollywood producer Carol Baum, who slammed Sweeney days prior, saying, “she’s not pretty. She can’t act,” according to Daily Mail.

Oooooooh, can you say “green-eyed monster,” boys and girls? I knew ya could.

The grey sweatshirt served as a low-key hand-in-the-face to those who have recently been scrutinizing Sweeney’s looks and acting skills. She made it clear that she really doesn’t care what anyone else thinks of her at this stage of her life.

The “Euphoria” star confidently threw her shade at the haters, while bouncing braless on the beach as a Mariachi band played live music. She wore a ruffled, cream-colored crop top and a flowy midi skirt, dancing happily without a a care in the world.

Yes, there are pics, and they’re spectacular. You GO, girl!

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“A devastatin’ blow to our antiquated systems”

One of the all-time greatest scenes in the history of the cinematic art.

A blazing campfire way out in the boonies; a handheld camera shooting from the back seat of a scarlet 68 Chevy Impala ragtop purchased specifically for the purpose, rolling along at no more than 25mph so as not to jostle the cameraman overmuch; gorgeous, gleaming, one-of-a-kind Harley Panhead choppers; joints with actual, no-shit weed in ‘em for purposes of artistic verisimilitude; three immensely talented, daring actors improvising the dialogue in real-time, as they went, unscripted and unrehearsed.

Folks, it just don’t get much better than this.

The Captain America and Billy bikes were designed and built by the somewhat unlikely team of Cliff Vaughs and Ben Hardy, which is a great story in its own right.

When The Easy Rider concept was quickly made into form, Peter Fonda set out to get him a couple of bikes for the movie. There’s lots of controversy about who built these bikes. Some say Dan Haggerty, who was in the movie. The guy who painted the bikes, his son says it was him (his dad, that is). Some say it was Peter Fonda.

But the guy who built them was a guy named Ben Hardy. Ben was an African american man who knew Harleys, and knew what he was doing. When Cliff Vaughs was asked by Fonda to oversee the building of the bikes, Vaugh’s turned to Hardy who was well known (if you were black) in Los Angeles as the go to guy to build a killer bike, and do it right.

Peter had only one thing he wanted on the bike. He wanted Captain America to have a flag on his gas tank. Beyond that, the design was left to Vaughs. I gotta think tho…Peter was an experienced rider, and Dennis hopper wasn’t. That had to have come up in the conversation somewhere, because the Billy bike was a much easier bike to ride. I had a fat boy that was really close to the same configuration, and my brother has a friend with a Billy Bike replica. They’re easy bikes to ride. The captain America bike? Cut that steering head off and rake that bitch out like it is, throw in those long forks with no front brake and see how you fare. You don’t give that kind of bike to a beginner.

It was Cliff who actually first offered the name “Easy Rider” to Fonda. It was a term he used in the day. Whats an Easy Rider? that depends on who you ask. In the 1900s it meant a freeloader. A guy who mooched off you. To Dennis hopper, it meant a man who lived off the money of a whore. He got it from an old Mae West movie. Whatever cliff meant by it, I’m not sure. All I know is he redefined the word. To this day I think it is associated to Harley riders. Maybe because of cliff, but most definitely because of the movie. When you say Easy Rider, I think of the movie. I think of Harley’s.

Vaugh’s quickly took the idea to Ben Hardy. Peter bought four 1950’s panhead police bikes from auction, and got them to Hardy and Vaughs. Jim Buchanan fabricated the frames, the engines were built by Hardy, Dean Lanza did the paint (his son is adamant he built the entire bikes). 2 bikes were for filming, 2 were for the final sequence of the movie, which I’m fucking assuming you know about, otherwise you wouldn’t be here reading this. Hardy went to work, and the rest is history.

It is at that, it surely is, and not just biker history alone. A pic of Hardy, and of his LA shop.

Ben hardy Easy Rider Bike.

Ben hardy shop-1.

The shop is still there as of the writing of the above article (mid-2012, that would be), in the same location, albeit with a new name and under different ownership, seeing as how the great Ben Hardy passed away in 1994. Betcha didn’t see all that coming, now did ya? And I truly hope you didn’t think for a moment I’d leave out one last cultural lodestone immortalized in the film.

For whatever it’s worth, I always dug the minimalistic, cut-down lines of the Billy-bike bobjob way more than the near-parodically stretched, raked, and extended 60s chopper archetype represented by the Captain America machine. Two beautiful bikes, two completely different stylistic approaches, brought together in one unforgettable movie masterpiece. Taken for all in all, Easy Rider is as 100% all-American as apple pie, hot dogs, and hog-leg Colt .45 wheelguns; it could never have happened in any other time or place.

Nitpicking update! One decidedly trivial flub-up from the early part of the movie that has always irked me disproportionately is when Billy chides Captain America for being incautious about gassing up his bike, saying “Man, all the money we have is riding inside that peanut tank.” No, gawddammit, it is NOT a “peanut tank,” Billy boy. That’s the nickname for the original Sportster gas tanks, like thus:

As any fool can see without half trying, the American-flagged receptacle adorning Wyatt’s bike is actually a Mustang tank, to wit:

The Mustang tank is so-monikered because of its origin—namely, on the pioneering Mustang mini-motorcycle, a cute li’l thang that went the way of the dodo back in 1965 after a tragically abbreviated nineteen-year run during which it somehow never found its market niche, despite a plethora of innovative technical advances such as being the first American motorcycle of any size or type to feature the now-ubiquitous telescopic-fork front suspension.

The noble Mustang name lives on in its beautifully understated fuel tank, an unforeseen legacy that’s still available for most makes of big bikes from various aftermarket companies today. It’s been a go-to favorite with more discriminating and tasteful Harley customizers since the 60s. Myself, I’ve run a Mustang tank on every Sporty I’ve owned except for the first and last ones—what is that, three of ’em, four? Whatever, I absolutely adore the things, have ever since I first got hipped to their existence by an ad in the once-glorious Easyriders magazine.

For one thing, the Mustang has a much higher capacity than the stock Sporty “peanut” go-juice tank, which holds a measly gallon or so—some .9, others 1.3, depending on the year. That translates to no more than ninety miles or so before you have to make a stop for a refill. Which, actually, was just jake with me, since an hour and a half of having your teeth rattled and your bones jarred by those old Ironheads on a daylong putt with your local wolfpack was quite enough for anybody, thanks. By the time you’d gone through your peanut tank’s capacity and switched the petcock (Pingel Power-Flo, of course; no shoddy stock PoS will suffice) over to reserve (14-15 more miles at best), you were good and READY to climb off and unkink your aching legs and back a little.

Yeah, while you glided to the nearest pump sucking fumes the Big Twin ironbutts’ unwieldy 5-gallon fatbobs would still be well over half full, so you could count on catching the usual ration of good-natured shit for your “dirt bike” or “woman’s” bike’s short legs from them. But who the hell cares what those Geezer Glide pricks think anyway? Let ‘em snigger, let ‘em chortle to their hearts’ content; their ol’ ladies will be pestering you at the bar later on for a leg-wettin’ thrill-hop packing on the p-pad (“p” for pillion, although some mischievous wags swear it actually stands for pussy, and as all Sportster riders know, neither side is entirely wrong) of your fleet little speed-demon, and everybody knows it too. When some horny, sexy biker bitch is reaching around from behind you to fondle your throbbing erection through the thin fabric of your worn, grease-stained jeans as you rip down a lonely back road, the last laugh will be yours.

Ask me how I know. Never mind, don’t, I ain’t gonna tell ya.

For another, the Mustang tank’s curvaceous good looks simultaneously offset and complement the rest of the Sportster’s no-frills, bareknuckle-brawler savagery, making what was for me a perfectly irresistible aesthetic combination. Plus, back when I bolted on my very first prized Mustang the tanks had fallen so far out of contemporary vogue as to be downright rare; almost nobody who saw mine in those days—be they old-school scooter trash or cake-eating-civilian cager—even knew what the hell it was, although they all liked it. Or they said they did, at any rate, which was good enough to suit me. I certainly did, and as the builder, owner, and rider, my opinion was the only one that mattered.

It still is, I still do, and if I had a Sporty today there would almost certainly be a Mustang tank, in flat-black rattlecan sprayed on by yrs trly etc, perched saucily on the upper frame rail between the top triple-clamp and the stiff, uncomfortable nut-buster of a seat. Or there soon would be, you betcher. Even though I’m too old for that sort of thing nowadays, hey, that’s just how I roll, people.

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Old dog learns new trick

That old dog would be moi, seeing as how a six-string lap/pedal steel guitar—SIMULATED pedal steel, more like, since I ain’t seeing any foot or knee involvement, as is required with your conventional pedal steel—is something I never saw before.


Man, that ain’t nothing but a sweet, sweet one minute-seventeen seconds of pure country-music Heaven right there. From here, looks like he’s using a Gretsch Filtertron-style pickup on that home-style beastie, perhaps a TV Jones Magnatron, even. Veddy interesting, too, how he has that stainless-steel plate bolted overtop the bridge p/u to keep the heel of his right hand up off of it, thus avoiding any inadvertent dampening of strings he doesn’t want dampened. Altogether ingenius, the whole setup.

MOAR NEW TRICKS update! Dug through the comments to see if I could maybe pick up more info on this remarkable instrument, and damned if I didn’t. Ladies and germs, I present to you…the Duesenberg Fairytale!

THE FAIRYTALE LAPSTEEL IS ONE OF THE MOST DESIRED INSTRUMENTS FOR LAPSTEEL ARTISTS AROUND THE WORLD.

Its innovation on countless aspects from the integrated capo nut down to the versatile Multibender bridge system leaves this lapsteel without competition.

“The minute I picked up the Duesenberg Lapsteel I was hooked.

This is a lapsteel that is a complete joy to play,

even if you’ve never picked up a slide before.”

– John Mayer

I don’t doubt it. Clearly, this beaut is made for the serious player who knows exactly what he not only wants but needs from his axe.

The Multibender is an integrated string bending device that can be configured to do a number of different things.

It is used for bending specific strings up or down a semi- or full tone, all done with the heel of your hand while playing. This comes in handy for changing chords from minor to major or all kinds of other intervals. The Multibender takes up to five levers (additional levers available seperately) which can all be set up to do different things.

I said it once, I’ll say it again: remarkable. Also, ingenious. What a wonderful world this can be, no?

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New car club

The Wylde Blogger Wrecking Crew CC, perhaps?

I turned eight in 1954, but I was no different than Randy Honkala, (and is that a mid-western car kid’s name or what?) maddened like every other boy I knew (except for the suspicious weirdos), breathlessly counting the days before the sheets covering the main windows of the major local car dealerships came down in the fall to reveal their glittering trove of chrome and jewel-painted treasure.

I never really got over it, either, and by the middle 1960s my lust for the splendors roaring out from Detroit reached an apotheosis just about simultaneously with Detroit’s own steel climax. You might say we came and went together.

Ten years later, all was rust and ruin, shitbox VeeDubs and Jappo tinfoil cars ruled the American roads, and guys my age were more concerned with whether we’d make it through until Nixon extracted us from Vietnam (the Ukraine meat grinder of its day, although not a patch on our current slavic murderfest).

But those cars. Most of my most beloved vehicles were built in the period from the early 1960s to the mid-1970s. And like Randy, I too Have A List, although not nearly as extensive as his.

Well as I’ve known my old friend and colleague Bill Quick, for as many years as I have, I’ve never really thought of him as a car nut. His taste in lead sleds is impeccable, starting with this shot of a 1959 Impala like the 58 he owned in his misspent youth:

Now as y’all know, I’m a diehard Ford man from a long line of Ford men on my dad’s side. That said, the 59 Impala is one of a handful of exemplary Chevy iron I always really dug, others being the 58 Bel-Air:

And basically, every model of Corvette ever made, up to and including the criminally underappreciated early-mid 80s body styles, known to automotive historians as the Third and Fourth Generation ‘Vettes. Shown below: the breathtaking 1954 Corvette C1.

Ahh, those swooping, curvy lines; the vivid paint in some other color besides nondescript gray, silver, or charcoal; that toothy chrome grill, the stainless body trim! Folks, they just don’t make ‘em like that anymore, and that’s a crying shame if you ask me.

What with anonymous plastic eggmobiles and graceless, chunky SUVs ruling the road nowadays, no wonder America’s long love affair with their automobiles has finally guttered out, except among a steadily dwindling number of mulishly unevolved fans of the vintage Detroit steel who still bitterly cling to the old ways. No esthetics; no gut appeal to anything besides pure utilitarian practicality; no soul, no spark, no romance: seriously, who could possibly fall in love with and take pride in such uninspiring machines as are on offer these days?

Bill’s post moved me to leave one of my infrequent comments in response, to wit:

Gawd DAMN, but that Impala is gorgeous! One of the small handful of Bowties I do actually like. The death of the car culture—premeditated murder, more like—has robbed American youth of a hell of a lot of cross-generational tradition, joie de vivre, and good, old-fashioned fun.

I’ve lamented that grievous loss here before more than once or twice, so no need to belabor the point further right now, I don’t think. To be perfectly honest, I just wanted an excuse to run a few cool car pics, really. My thanks to Bill for providing me with one.

Update! Man, I’m thinking in my munificent spare time I might just try to Gimp up a patch design for our notional blogger CC cutoff, maybe. We’ll see about that; I know at least Bill and Phil over at Bustednuckles would find such a project interesting, if nobody else did. Too bad Randy Herring is gone; if he was still with us, I could get him to draw me a really good ‘un up in a heartbeat. In fact, knowing Randy he very well might’ve done one on his own hook a long time ago, without ever being asked.

Updated update! For Barry, whose comment-section contribution brought it to mind.

Great tune, great cars, even if they are fuckin’ Bowties.

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Drool-drool-drooling on Guitar Heaven’s floor

I couldn’t help myself, I simply HAD to save this image from my daily Guitar Center email, if only for posterity’s sake.

Row after row after row of sundry Les Pauls, SGs, and Strats (plus what looks to be a random Guild Brian May model at lower right), all dangling succulently in front of a ceiling-high wall o’ Marshalls. I ask you: what’s not to fall hopelessly in love with here? I answer: not a single damned thing, that’s what. That right there is what people mean when they speak of “an embarrassment of riches,” folks.

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Tabloid hijinks

Proving once and for all that the New York Post remains the greatest newspaper EVAR.

Heh. Not quite up to the lofty standard established by the NYP’s immortal “HEADLESS BODY IN TOPLESS BAR” screamin’ splash, perhaps, but still damned good. In my long-past days as a NYC resident, the Post was the only paper I bothered to buy…and it, I tried not to miss.

(Via Joe Jackson)

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The incomparable Grace Kelly

A few little-known facts about one of the hottest babes EVAR.

3 of 7 A Failed Screen Test Fueled Her Later Success
Sometime between 1950 and 1952 (sources differ on the year), Kelly auditioned for the part of a desperate Irish woman in a New York City-based drama called Taxi (1953). She was passed over for the role, but her screen test eventually found its way to celebrated director John Ford, who lobbied for the little-known actress to be included in his high-profile adventure film Mogambo (1953). Separately, Alfred Hitchcock also saw something intriguing in the same Taxi screen test, leading to Kelly’s first true starring role, in Dial M for Murder (1954).

4 of 7 She Enjoyed a Running Gag With Alec Guinness
As told in Spoto’s High Society, Kelly and Alec Guinness engaged in a running gag that lasted more than two decades after their time together on the prank-filled set of The Swan (1956). After Kelly relentlessly teased her co-star about an overzealous fan, Guinness retaliated by having a concierge slip a tomahawk into her hotel bed. A few years later, Guinness was surprised to return to his London home and discover the same tomahawk nestled between his bedsheets. He later enlisted English actor John Westbrook to redeliver the item while Kelly and Westbrook toured the U.S. for a poetry reading during the 1970s, but her highness got the last laugh when Guinness again found the tomahawk in his Beverly Hills hotel bed in 1979.

5 of 7 Her Romance With Prince Rainier Got Off to a Rocky Start
Per High Society, Kelly was in France to attend the 1955 Cannes Film Festival when she agreed to travel to Monaco to meet Prince Rainier III (part of a scheme put together by the magazine Paris-Match for a photo story). However, the prince was delayed by a commitment elsewhere, and by the time he rushed back to his palace an hour late, his fed-up guest was ready to leave. When Rainier asked if she wanted to tour the palace, Kelly coolly replied that she’d already done so while waiting. They subsequently relaxed while walking through the palace garden, their brief meeting giving rise to an epistolary friendship that turned romantic, and eventually led to their “wedding of the century” in April 1956.

I like Kelly enough to have cobbled myself together a custom desktop pic of her juxtaposed against the NYC skyline many years ago, complete with P-shopped-in lightning bolt, which is still proudly in use to this very day. To wit:

Lasses just don’t come much lovelier and more winsome than Grace Kelly, the likes of which they just aren’t making nowadays, more’s the pity.

Update! Might’s well throw in the two other GK desktops I made at the same time as the above one, these two complete with pithy, apt quotes.

My God, as can be seen in Numero the Second, even Grace’s feet were flawlessly beautiful. And just like that, it occurs to me that I really need to set up the iMac’s desktop-pic-switching automagickal function to alternate randomly between these three. If you can’t squint hard enough to read the two quotes, the first is from Mark Twain: ”What would men be without women? Scarce, sir, mighty scarce.”

The bottom words of eternal wisdom come from Farrah Fawcett (!!): “God gave women intuition and femininity. Used properly, the combination easily jumbles the brain of any man I’ve ever met.” True brilliance and insight from what many would consider a most unlikely source, eh?

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TRUE empowerment

To adapt Jerry Seinfeld’s memorable line in praise of black-and-white cookies: look to the titty.

How the breast was won: The week Sydney Sweeney’s boobs exploded
It’s official. The State of the Union is…boobs.

Florida Democratic Congressman Jared Moskowitz posted — and then deleted — an image on X of a wide-eyed President Joe Biden walking into Thursday night’s speech alongside a picture of “Euphoria” star Sydney Sweeney – the photos situated so his gaze was fixed to her ample cleavage spilling out of a black dress.

Two of this week’s viral moments fused in perfect accord.

When called out by a Politico reporter, Moskowitz responded, “It was inappropriate. I took it down.”

But given the week Sweeney’s breasts have had, it’s only fitting they found their way into the D.C. discourse.

For those not living perpetually online, Sweeney’s au naturale double D bombs set off one of the most brutal, bloody battles in our raging culture wars.

While co-hosting “Saturday Night Live” last weekend, the 26-year-old actress leaned into her famous bust, playing a stacked Hooters waitress in one sketch.

During the show’s wrap-up, she donned a plunging black frock that showed off her girls, bouncing as she enthusiastically dished out the customary thank-yous.

The image of the blonde’s embonpoint boomeranged online, drawing lusty appreciation from dudes.

Only one correct response to that last.

You all know what comes next, I’m sure: the weeping, the wailing, the gnashing of teeth over the unfairness, the injustice of it all.

And then, blowback from the left flank: a flurry of angry tweets including one from writer Ali Barthwell who admitted she couldn’t get past the paywall to read Phetasy’s analysis but called Phetasy’s premise, “fatphobia, misogyny, anti-blackness, transphobia just rolled into one” anyway.

“These weird conservatives are lifting up sydney sweeney for being a thin cis white blonde with big boobs because they are mad other body types have also been on tv,” she wrote.

Actually, Bimbelina, we “weird conservatives” don’t give three whoops in Hell what body types are “also on TV.” What frosts Normals is having scantily clad land whales and morbidly obese manatee-facsimiles crammed down our throats by finger-wagging Wokester bluenoses such as yourself—on TeeWee, in Sports Illustrated swimsuit issues, in Victoria’s Secret catalogs. These disgusting tubs of sebaceous goo have us surrounded nowadays. Lumbering and wallowing across the landscape, displaying more square acreage of jiggly flab than your average WalMart parking lot can boast, they’re everywhere you look, there’s really no avoiding them.

Bottom line? Simply this.

And whatever the societal implications of her bustline, Sweeney seems to be winking at us all, from the driver’s seat.

The ultimate feminine power play.

Heh. Suck on THAT, “liberal” scolds, harridans, and harpies. Normals are fed to the eyeteeth with your bullshit head games at this point, and we ain’t playing anymore. How horrible it must be for you, having the tables turned on you like this.

Calls for a little Superior Dance to de-stress the shitlib Church Ladies and soothe their anguish over Miss Sweeney’s bodacious fun bags—said anguish exacerbated by her polite but firm refusal to bend the knee to their demands that, as a pretty young white woman, she must don the hairshirt of PC penitence and be properly ashamed of the gifts God (and good genes) gave her, choosing rather to enjoy them, to revel in them, even. You go, girl.

Sorry, Big Bertha: contra the sweet-sounding lies those who are using you as a political prop have told you, being grossly overweight is not healthy, not beautiful, not attractive or desirable or “sexy” AT. ALL. Deep down, in the places you don’t talk about at AYCE buffets, you know it’s true.

So don’t fall for the lies. Update your thinking, adjust your attitude, make some positive, meaningful changes in your daily routine. Take charge of your life. Diet. Exercise regularly: lift weights, speed-walk or run, do calisthenics, try a hot-yoga class. Make physical fitness your long-term goal.

No, it won’t be easy or quick; it will require a lot of hard work, sweat, and resolve. But I promise you’ll be much happier for it in the end, pumping up your confidence and self-esteem as you begin to see real results, feeling stronger and more energetic as you progress. Instead of cringing with dread at the mere thought of getting off the sofa and going out into public view, you’ll rediscover the sense of personal pride and satisfaction which comes hand-in-glove with genuine accomplishment.

Once the vicious cycle of ennui and self-destruction has been broken, one thing tends to lead to another, then another, then another. It’s amazing to watch it happen, but happen it does.

You’ll sleep better at night. Your monthly grocery bill will drop, although your membership fees at the gym might offset that gain. Your newfound confidence will re-energize your social life, providing the impetus to get out there and mix and mingle now and then, instead of spending the evening alone in front of the TV…AGAIN. You’ll meet interesting people, make new friends. You’ll probably live longer.

Really, now, what have you got to lose? That you honestly, sincerely consider worth hanging onto, I mean?

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A kingly gift

SO, last night a close friend of mine bought a dang guitar for me, this lovely Mosrite Joe Maphis-model facsimile, a single-neck reimagining of the original double-neck body style, handcrafted by a young luthier fella out in Monterey, Cullyfornya who’s offering his wares el cheapo on eBay for purposes of getting his work out there and his name established.

Purty, ain’t she? All-mahogany construction, P90s, Bigsby tailpiece (or a clone thereof, probably made of Chinesium, I’d bet), 24-fret neck w/ real-deal abalone inlays, everything a growing boy needs in a guitar.

BACKSTORY: After initially declining, I finally knuckled under and agreed to give my friend’s young son Zachary guitar lessons, an every-Saturday course of instruction which cranked up just over a month ago. Zachary showed willing, revealing some natural aptitude right off, practicing diligently at home, retaining the simple riffs and smattering of music theory I showed him, eager and excited to come down for his weekly lessons instead of the whining, pouting, and foot-dragging you get from some kids.

This encouraging display of studiousness, unfeigned enthusiasm, and potential motivated dear old Dad—now fairly bursting with pride in his son—to buy a mini-Strat starter kit (complete with cable, strap, picks, and even a small amp) for him to use instead of the tired old acoustic student-guitar of mine he’d started out on. The relatively heavy bronze acoustic strings hurt the little guy’s fingers—which, as I warned from Day One, they will do. The lighter-gauge electric strings and slimmer neck-profile will be much easier on him.

Now as I believe I’ve recounted here before, I’ve taken in a good few students over the years, although I’ve never taught a beginner before. Two facts I painstakingly informed all the poor victims who badgered me into taking them on of, from the git-go: 1) I am a truly awful teacher, being a most impatient sort; and 2) I truly, truly HATE teaching. Right down to my very bones, I hate it, I just ain’t cut out for that shit. Hence my stern resistance to inflicting my piss-poor teaching qualities on my friend’s boy, a really sweet, good-natured kid who has known me his entire life as “Uncle Mike.”

Anyhoo, with the acquisition last week of Zachary’s mini-Strat, my bud Zach Sr decided I needed an electric guitar of my own, insisting that I scout around for one at a reasonable price. Z explained this unexpected guitar-buying spree by saying it really made his heart happy to see me re-engaged with playing as a side-effect of teaching his son. He just wouldn’t take my repeated “No!” for an answer, eventually pestering me into submission over the course of the past week.

So after unearthing the above pseudo-Mosrite on eBay, I bid on the thing and ended up winning, scoring what looks to be a really nice instrument for a mite over 200 simoleons with shipping. Supposed to be delivered anytime from this Saturday to next Thursday, and I have to confess I’m pretty excited about it. Don’t tell anybody, aiight?

There’s a crappy old Peavey Heritage amp here for me to play the Mosrite through owned by my friend Don, a VERY occasional player who swore up and down the damned boat-anchor was FUBAR’d, wouldn’t make a sound. After a bit of investigating I found it had a broken power tube, but the main issue seemed to be that the speaker cable had been disconnected at the head-section output, dangling all forlorn at the bottom of the amp unnoticed. Plugged it back in and replaced the catastrophically-blown tube with a new Sovtek 6L6, so it should be good to go now.

Next up, gonna have to look into getting my hands shut of the accursed DePuytren’s Contracture that forced me into retirement seven miserable years ago, robbing me of a lifetime’s self-identity and happiness, instilling much mental anguish, confustication, and despair in their place. There’s a new, non-surgical treatment for the affliction now which works pretty well, or so I’m given to understand.

Although Zach has sworn to keep after me about it until I give in again, there will be NO triumphant return to the stage pour moi, not ever. I’ve always held to certain standards and preconditions for performing onstage, and rolling up there as a wheelchair-bound object of pity is definitely not among ‘em. To my way of thinking, the elusive, indefinable quality known as “stage presence” is not just important, it’s absolutely indispensible; if you can’t swagger out there like you own that fucking stage, then you got no business being there at all. Performing onstage isn’t about being shy, modest, or self-effacing; it’s all about being bold, self-assured, and confident to the point of cockiness. A stage performer—ALL performers—must for the duration of their stage-time be larger than life, not some mumbling, diffident cipher. It’s the only way as far as I’m concerned, you’re just wasting everybody’s time otherwise.

So, not happening, then. I’ll content myself with torturing the cats and kicking out the jams in my living room, thenksveddymuch.

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Soviet fashion show

The past is a foreign country.

REMEMBER WHEN BIG BUSINESS USED TO MAKE FUN OF COMMIES? THE ’80S WERE AWESOME: Congressmen Bash Google AI for Refusing Image of Tiananmen Square. “Hawley reacted to Miller’s post by slamming Google and all CCP-pandering tech companies. ‘Google AI refusing to tell the truth about Tiananmen Square. When is Congress going to wake up and realize these tech companies are totally compromised by China. They’re killing our kids while vomiting Communist propaganda,’ he stated.”

The Eighties:

Good times, good times.

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If you are in fact a legit hooman bean desirous of registering yourself a CF user name so as to be able to comment only to find yourself caught up as collateral damage in one of my irregularly (un)scheduled sweeps for hinky registration attempts, please shoot me a kite at the email addy over in the right sidebar and let me know so’s I can get ya fixed up manually.

ALSO NOTE: You MUST use a valid, legit email address in order to successfully register, the new anti-spam software I installed last night requires it. My thanks to Barry for all his help sorting this mess out last night.

Comments appear entirely at the whim of the guy who pays the bills for this site and may be deleted, ridiculed, maliciously edited for purposes of mockery, or otherwise pissed over as he in his capricious fancy sees fit. The CF comments section is pretty free-form and rough and tumble; tolerance level for rowdiness and misbehavior is fairly high here, but is NOT without limit.

Management is under no obligation whatever to allow the comments section to be taken over and ruined by trolls, Leftists, and/or other oxygen thieves, and will take any measures deemed necessary to prevent such. Conduct yourself with the merest modicum of decorum, courtesy, and respect and you'll be fine. Pick pointless squabbles with other commenters, fling provocative personal insults, issue threats, or annoy the host (me) and...you won't.

Should you find yourself sanctioned after running afoul of the CF comments policy as stated and feel you have been wronged, please download and complete the Butthurt Report form below in quadruplicate; retain one copy for your personal records and send the others to the email address posted in the right sidebar.

Please refrain from whining, sniveling, and/or bursting into tears and waving your chubby fists around in frustrated rage, lest you suffer an aneurysm or stroke unnecessarily. Your completed form will be reviewed and your complaint addressed whenever management feels like getting around to it. Thank you.

"Mike Hendrix is, without a doubt, the greatest one-legged blogger in the world." ‐Henry Chinaski

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Claire Wolfe, 101 Things to Do 'Til the Revolution

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FREEDOM!!!

"There are men in all ages who mean to govern well, but they mean to govern. They promise to be good masters, but they mean to be masters."
Daniel Webster

“When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill.”
Charles Bukowski

“A slave is one who waits for someone to come and free him.”
Ezra Pound

“The illusion of freedom will continue as long as it’s profitable to continue the illusion. At the point where the illusion becomes too expensive to maintain, they will just take down the scenery, they will pull back the curtains, they will move the tables and chairs out of the way and you will see the brick wall at the back of the theater.”
Frank Zappa

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John Adams

"A society of sheep must in time beget a government of wolves."
Bertrand de Jouvenel

"It is terrible to contemplate how few politicians are hanged."
GK Chesterton

"I predict that the Bush administration will be seen by freedom-wishing Americans a generation or two hence as the hinge on the cell door locking up our freedom. When my children are my age, they will not be free in any recognizably traditional American meaning of the word. I’d tell them to emigrate, but there’s nowhere left to go. I am left with nauseating near-conviction that I am a member of the last generation in the history of the world that is minimally truly free."
Donald Surber

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David Black, from Turn Left For Gibraltar

"If the laws of God and men, are therefore of no effect, when the magistracy is left at liberty to break them; and if the lusts of those who are too strong for the tribunals of justice, cannot be otherwise restrained than by sedition, tumults and war, those seditions, tumults and wars, are justified by the laws of God and man."
John Adams

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Frederick Douglass

"Give me the media and I will make of any nation a herd of swine."
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Ronald Reagan

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NC Reed, from Parno's Peril

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Bill Whittle

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