When baseball was by-God BASEBALL
Via WeirdDave.
— ONT WTF (@OntWtf)
Now, THAT’s how ya fucking DO it! I think it entirely safe to say that that pitcher’s mellow was well and truly harshed. Hey, who says baseball isn’t a contact sport?
2
1Category: Brilliant!
21Kelly’s hot streak continues
Megyn Kelly looks better than ever: beautiful, unflappable, and self-assured. She’s doing her own thing her own way as host of her independent SiriusXM show, and damned if she ain’t kicking ass and taking names too. You go, girl! This time out, it’s dissembling shitlib sad-sack Bill Maher—who I freely admit does get something right once in a rare while—with his (turkey) neck on MK’s chopping block.
Megyn Kelly Brutally Fact Checks Bill Maher’s Left Wing Talking Points to His Face
For a while now, I’ve been willing to give left-wing comedian Bill Maher a lot of credit when he criticizes the radical left. He’s challenged left-wing orthodoxy enough that it’s actually newsworthy and important when he does. But at heart, he’s still a leftist who, as he proved in an appearance on “The Megyn Kelly Show” on SiriusXM on Tuesday, still lets his rabid anti-Trumpism cloud his judgment.During the show, while talking about the 2024 election and the choice between Biden and Trump, Maher argued that “you have to respect who wins an election or else you don’t have the kind of country we’ve always had before.”
To which Kelly pointed out, “Hillary Clinton, of course, is the original election denier. I’m sure you voted for her in ’16.”
“Well, she’s not an election denier,” Maher insisted.
“She absolutely was the OG election denier,” Kelly retorted.
“First of all, she came out before the sun had risen to concede the election to Trump,” Maher pushed back, as if that matters.
“And then spent the next four years saying he was illegitimate, he was an illegitimate president,” Kelly pointed out.
“Okay, well, first of all, she didn’t say he was an illegitimate,” Maher claimed.
“Yes, she did,”
“Tell me exactly what she said,” Maher challenged.
“She said those exact words repeatedly.”
Megyn Kelly, is, of course correct.
Which Miz Megyn proved without further ado, via running a video montage of Her Herness!!!™ saying/doing exactly what Kelly said she did. Maher being Maher, he continued to waffle, weasel, and worm around weakly for another few seconds, splitting any available semantic hair he thought Megyn might let him get away with while his interlocutor blandly affixed the latest scalp to her battle-belt. Poor, luckless Maher’s ordeal only got worse from there, with Megyn savagely eviscerating him on a new topic, leaving him sweaty, flushed, and plainly wishing he was anywhere else by the end of the festivities. Watch the vid; mere text just doesn’t do it justice.
I like her, I must say; like good bourbon, she only improves with age, and seems to have really come into her own of late. It’s a damned shame about her pointless (and apparently ongoing) kerfuffle with Trump in 2015, but hey, whatchagonnado, I suppose. I could be all wet, and probably am, but it looks to me as if Trump gets a kick out of baiting Kelly now and again, almost like he’s doing it for his own entertainment. Certainly, there’s no shortage of fat, juicy shitlib targets I’d prefer to see him go after, instead of burning ammo taking potshots towards the Right.
Then again, he’s done that all along; what the hey, Trump’s gonna Trump. Too, it’s not as if Kelly hasn’t gotten a few things back-asswards and wrong herself, although to the best of my knowledge she promptly acknowledges and corrects the error once the lightbulb has finally clicked on—which, as a journalist, is no more nor less than her professional obligation, any personal scruples aside. All just part of the process, I reckon. Trump would be punching far below his weight in going after a trifling anklebiter like Bill Maher, granted. But that in no way suggests that Kelly’s skillful smackdown wasn’t worthwhile.
2First legit, confirmed UFO photo released!
Oddly, it appears to be in USAF livery.
Just joshin’, that’s one of the first shots of the new B21 in flight. The Chair Farce has dubbed its new play-purty the “Raider,” which demonstrates their recent propensity for missing the boat on naming-convention matters. I mean, seriously: they dropped the ball on calling Space Force “Starfleet” already, and they shoulda dubbed the B21 the “Foo Fighter” if you ask me. Further deets on the aircraft perusable here.
All my wisecrackery aside, I recollect watching the old (!!) B2 Spirit do a cpl-three fly-bys at an air show some years back, and hand to God that thing might as well have been a UFO its own self. Cool as it was for its day, though, this new hoopty is WAAAAY slicker, sleeker, and more spooky-looking than the B2 ever was.
(Via Stephen Green)
21“You married a dude?”
When a psychotic murderer makes more sense than one of the two (2, supposedly) dominant political parties, you know the country’s in one hell of a sorry state.
— Fight With Memes (@fightwithmemes)
Update! Since Barry says he hasn’t seen it, here’s a few more simply incredible scenes from one of the greatest Hollywood movies ever made.
What a fucking movie, eh?
Updated update! A little more background info on NCFOM, for anybody else who may not have seen it yet.
No Country for Old Men is a 2007 American neo-Western crime thriller film written, directed, produced and edited by Joel and Ethan Coen, based on Cormac McCarthy’s 2005 novel of the same name. Starring Tommy Lee Jones, Javier Bardem, and Josh Brolin, the film is set in the desert landscape of 1980 West Texas. The film revisits the themes of fate, conscience, and circumstance that the Coen brothers had explored in the films Blood Simple (1984), Raising Arizona (1987), and Fargo (1996). The film follows three main characters: Llewelyn Moss (Brolin), a Vietnam War veteran and welder who stumbles upon a large sum of money in the desert; Anton Chigurh (Bardem), a hitman who is sent to recover the money; and Ed Tom Bell (Jones), a sheriff investigating the crime. The film also stars Kelly Macdonald as Moss’s wife, Carla Jean, and Woody Harrelson as Carson Wells, a bounty hunter seeking Moss and the return of the $2 million.
No Country for Old Men premiered in competition at the 2007 Cannes Film Festival on May 19. The film became a commercial success, grossing $171 million worldwide against the budget of $25 million. Critics praised the Coens’ direction and screenplay and Bardem’s performance, and the film won 76 awards from 109 nominations from multiple organizations; it won four awards at the 80th Academy Awards (including Best Picture), three British Academy Film Awards (BAFTAs), and two Golden Globes. The American Film Institute listed it as an AFI Movie of the Year, and the National Board of Review selected it as the best of 2007. It is one of only four Western films ever to win the Academy Award for Best Picture (the others being Cimarron in 1931, Dances with Wolves in 1990, and Unforgiven in 1992).
No Country for Old Men was considered one of the best films of 2007, and many regard it as the Coen brothers’ best film. As of December 2021, various sources had recognized it as one of the best films of the 2000s, and as one of the best films of the 21st century. The Guardian‘s John Patterson wrote: “the Coens’ technical abilities, and their feel for a landscape-based Western classicism reminiscent of Anthony Mann and Sam Peckinpah, are matched by few living directors”, and Peter Travers of Rolling Stone said that it is “a new career peak for the Coen brothers” and “as entertaining as hell”.
No argument from me, with any of it. So what the heck are you waiting for, anyhow?
21Another one they aren’t making any more of these days
That would be gifted actor, horseman, Marine veteran, Hollywood stuntman, ranch hand, jazz singer, blacksmith, and world-champion poker player Wilford Brimley.
Anthony Wilford Brimley (September 27, 1934 – August 1, 2020) was an American actor. After serving in the U.S. Marine Corps and working odd jobs in the 1950s, Brimley started working as an extra and stuntman in Western films in the late 1960s. He became an established character actor in the 1970s and 1980s in films such as The China Syndrome (1979), The Thing (1982), Tender Mercies (1983), The Natural (1984), and Cocoon (1985). Brimley was known for playing characters at times much older than his age. He was the long-term face of American television advertisements for the Quaker Oats Company. He also promoted diabetes education and appeared in related television commercials for Liberty Medical, a role for which he became an Internet meme.
Brimley joined the Marines in 1953 and served in the Aleutian Islands for three years. He also worked as a bodyguard for businessman Howard Hughes as well as a ranch hand, wrangler, and blacksmith. He then began shoeing horses for film and television. At the behest of his close friend and fellow actor Robert Duvall, he began acting in the 1960s as a riding extra and stunt man in westerns. In 1979, he told the Los Angeles Times that the most he ever earned in a year as an actor was $20,000. He had no formal training as an actor, and his first experience in acting in front of a live audience was in a theater group at the Los Angeles Actors’ Theater.
His first credited feature film performance was in The China Syndrome (1979) as Ted Spindler, a friend and coworker of plant shift supervisor Jack Godell (portrayed by Jack Lemmon). That same year, he appeared in the Robert Redford/Jane Fonda feature film “The Electric Horseman” cast as simply “The Farmer” while assisting Redford and Fonda’s characters evade troopers while transporting the horse in a cattle hauler. Later, Brimley made a brief but pivotal appearance in Absence of Malice (1981) as the curmudgeonly, outspoken Assistant Attorney General James A. Wells. In the movie The Thing (1982) he played the role of Blair, a biologist among a group of men at an American research station in Antarctica who encounter a dangerous alien that can perfectly imitate other organisms.
Brimley’s close friend Robert Duvall (who also appeared in The Natural) was instrumental in securing for him the role of Harry in Tender Mercies (1983). Duvall, who had not been getting along with director Bruce Beresford, wanted “somebody down here that’s on my side, somebody that I can relate to.” Beresford felt Brimley was too old for the part but eventually agreed to the casting. Brimley, like Duvall, clashed with the director; during one instance when Beresford tried to advise Brimley on how Harry would behave, Duvall recalled Brimley responding: “Now look, let me tell you something, I’m Harry. Harry’s not over there, Harry’s not over here. Until you fire me or get another actor, I’m Harry, and whatever I do is fine ’cause I’m Harry.”
It was Brimley’s showstopper star-turn as AAG James J Wells (not James A Wells, as Wiki erroneously has it above) in Absence of Malice that sent me down the Wilford Brimley rabbit hole today, after re-watching Brimley’s riveting performance on YewToob. Interesting thing about the apparent James J/James A flub: Brimley’s character may very well have been James A in the script (don’t know, didn’t check), judging from what appears to be his momentary hesitation when giving his name as James J in the AoM final cut:
Note ye well that Mr Brimley, a relatively unknown bit-player-cum-character actor at the time, just walked in, sat down, riffled some papers, opened his mouth, and proceeded to steal the entire film from screen titans Paul Newman and Sally Field, without so much as breaking a sweat. By God, that there is what you call acting, bub. Ahh, but how very typical of Wilford Brimley: Kurt Russell, Robert Duvall, Robert Redford, Jane Fonda, Jack Lemmon—running scenes with all of these fine actors and many more, he refused to be intimidated or overawed, nonchalantly holding his own with all those marquee names, making it look not just easy, but effortless.
More rich, buttery Brimley goodness from AoM:
One more time:
Over the years I must’ve seen Absence of Malice about, oh, I dunno, forty or fifty times—enough that I’ve long since had every word of Brimley’s dazzling five minutes or so of screentime towards the end down by heart, anyway—and still ain’t no way tired of the flick. If you’ve never seen the movie, I urge you with all my heart not to let another sun go down before you rectify that gap in your cinematic education. They ain’t making movies like Absence of Malice anymore, nor actors like Wilford Brimley, nor sturdy, versatile, by-God American men like him, for that matter.
Anybody else thinking, as I just was, that the AAG Wells character, in fact pretty much all the G-men in the above climactic scenes, represents another long-gone American totem: the competent, reasonable, and trustworthy public servant? Not to mention Sally Fields’ newspaper reporter, who, although she lost her way temporarily and compromised her professional ethics in pursuit of a red-hot scoop, nonetheless proves herself to be basically decent in the end, deeply regretful for betraying her integrity and resolved that she will NOT let it happen again.
As Wells says of the DA ensnared in Michael Gallagher’s clever trap: “Yeah, he’s a nice guy, he just forgot about the rules.” When the dust has settled, the wayward but basically well-meaning are chastened, the corrupt and malifecent made to face serious consequences, and AAG Wells has somebody’s ass in his briefcase, as promised.
Today, though, is there anyone left among us so naive, so unworldly, that he seriously expects such unflagging virtuousness from his “public servants,” even in a fictional movie? Yep, the past is a different country all right.
21At long, long last
Ordinarily I’d hold onto this little gem to run it on a Monday or Wednesday, but it’s so damned good I just can’t control myself any longer. Ladeez ‘n’ gennamuns ’n’ sheeit, coming to you direct from WRSA’s Friday roundup, without further ado, embellishment, or delay, feast your eyes upon…the Meeeeme of the Centurrrrryyyy!!!
Heh. How ya like THEM apples? No need to crowd or jostle, folks, there’s plenty of room for all to have a good, close look at this rarest of specimens, never before displayed in captivity until this most special, once in a lifetime event.
Actually, I’m kinda ashamed I didn’t think of it myself.
31Quote of the day week month year decade century millenium
“Presenting them with facts and evidence on gun control is met with remarks about penis size. Talking about case law is like banging your head against a wall. Talking simply won’t work with them.“
Which is EXACTLY why we need to stop even bothering to pretend to try; it wastes your time, and annoys the pig. The one, the only language they understand is violence, of the “swift and blinding” variety. So be it, then. Govern yourselves—or, y’know, not—accordingly.
21Dicks!
Hey, if the shoe fits…
Someone pulled up outside the Trump trial in a UHaul and released tons of pink balloons of male genitalia with the faces of DA Alvin Bragg, Judge Merchan, and Jack Smith on them: pic.twitter.com/YGoHL8yvPv
— TheBlaze (@theblaze)
‘Nuff said on THAT.
52Constitutional course of instruction
Roth Renegade discovers one of Porretto’s favorites, the uncompromising champion of human liberty Lysander Spooner.
The Constitution has no inherent authority or obligation. It has no authority or obligation at all, unless as a contract between man and man. And it does not so much as even purport to be a contract between persons now existing. It purports, at most, to be only a contract between persons living eighty years ago. And it can be supposed to have been a contract then only between persons who had already come to years of discretion, so as to be competent to make reasonable and obligatory contracts. Furthermore, we know, historically, that only a small portion even of the people then existing were consulted on the subject, or asked, or permitted to express either their consent or dissent in any formal manner. Those persons, if any, who did give their consent formally, are all dead now. Most of them have been dead forty, fifty, sixty, or seventy years. And the Constitution, so far as it was their contract, died with them. They had no natural power or right to make it obligatory upon their children. It is not only plainly impossible, in the nature of things, that they could bind their posterity, but they did not even attempt to bind them. That is to say, the instrument does not purport to be an agreement between any body but “the people” then existing; nor does it, either expressly or impliedly, assert any right, power, or disposition, on their part, to bind any body but themselves.
It cannot be said that the Constitution formed “the people of the United States,” for all time, into a corporation. It does not speak of “the people” as a corporation, but as individuals. A corporation does not describe itself as “we,” nor as “people,” nor as “ourselves.” Nor does a corporation, in legal language, have any “posterity.” It supposes itself to have, and speaks of itself as having, perpetual existence, as a single individuality.
Moreover, no body of men, existing at any one time, have the power to create a perpetual corporation. A corporation can become practically perpetual only by the voluntary accession of new members, as the old ones die off. But for this voluntary accession of new members, the corporation necessarily dies with the death of those who originally composed it.
Legally speaking, therefore, there is, in the Constitution, nothing that professes or attempts to bind the “posterity” of those who establish it.
S’truth, strange though it may sound to contemporary ears; no less august a personage than Thomas Jefferson himself implicitly affirmed this thesis years before, with these stirring words:
God forbid we should ever be 20 years without such a rebellion.
The people can not be all, and always, well informed. The part which is wrong will be discontented in proportion to the importance of the facts they misconceive. If they remain quiet under such misconceptions it is a lethargy, the forerunner of death to the public liberty. We have had 13 states independant 11 years. There has been one rebellion. That comes to one rebellion in a century and a half for each state.
What country before ever existed a century and half without a rebellion? And what country can preserve it’s liberties if their rulers are not warned from time to time that their people preserve the spirit of resistance? Let them take arms.
Bold mine, and a hearty amen to that.
51Culprit identified!
So as y’all probably know already, Jerry Seinfeld, fresh off some disparaging words for Wokesters, Cancel Culture, and Leftards in general (to my own great surprise), was slated to give the commencement address at Duke University the other day. Whereupon a cpl-three dozen of the stunning, brave Extry Double Special Snowflake students, affronted by the comic’s White Male Jewboy Fascist violent microaggression against their tender sensibillities, walked out to convey their disgust for Seinfeld’s intolerable, Literally Genocidal Hate Speech the week before.
Questions arose: Might there have been some behind-the-scenes mastermind behind the walkout? Was it spontaneous, or planned in advance? Could such a protest have gone off so smoothly without prior coordination by some shadowy, sinister agent provocateur directing the action from offstage? If not, who might that shadowy manipulator have been?
You has questions, the Bee has answers.
Heh. NEWMAN!!! I might’ve known. The article is paywalled, so no excerpt; I figured the screen-grab pretty much says it all anyhoo. Calls for a topical embed, I do believe.
No word at this writing as to whether the student snub-cum-childish–tantrum has shown Seinfeld the error of his Reich-wing ways and persuaded him to Become Better through embracing the enlightened, sophisticated, clearly superior Smarterer Set way of thinking yet, but I have every confidence that it soon will. It always has before, see. You’ll find true happiness and fulfillment once you’ve emerged from the dark side and joined us in the Light, Jerry!
How DOES he find this stuff?
As featured in my upcoming autobiography
On any list of the all-time top o’ the heap purveyors of Brit-style power-pop, rockabilly, and R&B would have to be Rockpile, featuring Welshman Dave Edmunds on vocals and lead guitar and his PiMC© Nick Lowe on bass/vocals. My verymost favorite Rockpile tune will give y’all a li’l taste of what I’m talkin’ ‘bout here.
“Didn’t see a thing until it came…” WHOA, that’s good squishy!
Edmunds, as well as co-conspirator Lowe, has several other non-Rockpile feathers in his not-inconsiderable cap, among them this YUUUGE one:
The band first appeared in the New York Area in the middle of 1979 performing under a number of names including the Tomcats, the Teds, and Bryan and the Tom Cats. According to Brian Setzer (singer/songwriter and guitarist), they changed names to fool club owners (who would not hire the same band for consecutive nights), but kept the “Cats” moniker in their various names so the audience would know they were the same band.
Setzer joined up with Slim Jim Phantom (drums) and they soon added Phantom’s schoolmate and friend Lee Rocker (stand-up bass); all three of them came from the same neighborhood and were interested in punk and rockabilly music.Since 1983, they have used only “Stray Cats” as their name. The band name “Stray Cats” had appeared in the 1973 rock ‘n’ roll film That’ll Be the Day and its 1974 sequel Stardust. They also went to many concerts and enjoyed the punk scene. They met the Clash and they used to see Siouxsie and the Banshees, Charlie Harper and the UK Subs.
The group, whose style was based upon the sounds of Sun Records artists and other artists from the 1950s, was heavily influenced by Eddie Cochran, Carl Perkins, Gene Vincent, and Bill Haley & His Comets. The Stray Cats quickly developed a large following in the New York music scene playing at CBGB and Max’s Kansas City as well as venues on Long Island. When the Cats heard a rumor that there was a revival of the 1950s Teddy Boy youth subculture in England, the band moved to the UK. They spearheaded the nascent rockabilly revival, blending the 1950s Sun Studio sound with modern punk musical elements. In terms of visual style, the Stray Cats also blended elements of 1950 rockabilly clothes, such as wearing drape jackets, brothel creepers, and western shirts, with punk clothes, such as tight black zipper trousers and modern versions of 1950s hair styles.
In the middle of 1980, the band found themselves being courted by record labels including Virgin Records, Stiff Records, and Arista Records. Word quickly spread and soon members of The Rolling Stones, The Who, and Led Zeppelin were at their shows.
After a gig in London, Stray Cats met musician and producer Dave Edmunds, well known as a roots rock enthusiast for his work with Rockpile and as a solo artist. Edmunds offered to work with the group, and they entered the studio to record their self-titled debut album, Stray Cats, released in Britain in 1981 on Arista Records. In addition to having three hits that year with “Runaway Boys”, “Rock This Town”, and “Stray Cat Strut”, they also performed on the eighth day of the Montreux Jazz Festival. The UK follow-up to Stray Cats, Gonna Ball, was not as well-received, providing no hits. Yet the combined sales of their first two albums were enough to convince EMI America to compile the best tracks from the two UK albums and issue an album (Built for Speed) in the U.S. in 1982. The record went on to sell a million copies (Platinum) in the US and Canada and was the no. 2 record on the Billboard album charts for 15 weeks.
Bold mine, and ‘nuff said about that.
As fate would have it, I’ve been good friends with Setzer for decades, first meeting him and his gracious spouse at the invite-only afterparty I played with my NYC side-band cohorts Tom Hopkins and Jeff Dilena celebrating (drowning in an ocean of open-bar liquor, more like) Brian’s little brother Kenny and his stunning wife Ariel’s nuptials down in Miami. I also worked a side gig during my NYC tenure with senior Setzer sibling Gary, a somewhat lackluster RaB trio that also boasted Hopkins slapping that doghouse bass.
An extremely talented drummer, Jeff went on to lay down the beat for the late Robert Gordon’s backing band, a fairly plum gig despite Robert’s well-earned rep as an insufferable prick. After many years as a semi-high mucky-muck in the midtown Manhattan offices of Columbia Records, the Gordon gig paid handsomely enough to permit Jeff to quit his cushy sinecure at Columbia to drum full-time for Gordon. Me, I went on to have numerous run-ins with the douchebag Gordon before Jeff took the job with him, sordid tales which will also be revealed in my aforementioned tell-all autobiography.
Never did get to meet Dave Edmunds, alas, although I certainly wish I had.
Ahhh, the good ole days…
Update! Okay, okay, kwitcherbitchin’ folks, here’s a couple of archival snaps, below the fold so as not to annoy anybody.
Continue reading “As featured in my upcoming autobiography”
21
2Q: Are dogs as smart as people?
A: Yes. Yes, they are. In light of my previous post, a heck of a lot smarter than many of them.
Yoga time.. 😊 pic.twitter.com/JtdkJSxKqO
— Buitengebieden (@buitengebieden)
21THAT’S how you do it
Bull by the fucking horns.
EPIC. Case Western Reserve University in Ohio brought a painter to paint over a wall that pro-Palestine protesters vandalized. Some activists tried to stop him and he just painted over them too 😂
LEGEND! pic.twitter.com/bAWuBTuF4m
— Libs of TikTok (@libsoftiktok)
Nice work, fella. Make ‘em pay.
41Shitlibs announce impending assassination attempt in Argentina
De facto, if not quite de jure.
Milei Is Absolutely Killing It in Argentina
President Javier Milei entered office like Jack Nicholson breaking his way into the bathroom in “The Shining” — with an axe. Armed with emergency powers granted by the Argentine Congress, he balanced the country’s out-of-control budget in one month, fired government workers by the thousands, eliminated more than 200,000 “corrupt” social welfare programs, and even cozied up to NATO.“There’s a lot more chainsaw” to come, Milei promised in March, and I momentarily almost became gay.
The usual fearmongers mongered the usual fears.
A few weeks ago, the New York Times ran an opinion piece — complete with a demonic-looking, high-contrast black-and-white photo of Milei — by Argentine author Uki Goñi. According to him, Milei is the “product of a long South American history in which authoritarianism has been the norm and democracy the exception.” Of course, Goñi also called Milei “a far-right libertarian,” and if you can square “authoritarian” with “libertarian,” then cut back on the day-drinking.
Victor Swezey warned in December that “victims of Argentina’s dictatorship see [a] step backward in Milei’s presidency.”
And the Columbia Journalism Review’s Jon Allsop got his panties particularly twisted over concerns about Milei’s “particular hostility toward public media,” and the private media, too. But when a conservative or libertarian shows any level of hostility toward the media, he’s merely returning the favor.
So who is right? Milei and his axe or his critics with their axes to grind?
Let’s look at the numbers.
By all means, let’s:
- Inflation down from 300% to 11%;
- The first quarterly budget surplus since 2008;
- Interest rates cut three times in three weeks;
- The Argentine peso is now the world’s best performing currency
Among other fine and notable things. No wonder shitlibs worldwide are gonna have to have him murdered—he’s singlehandedly proving every last item in the Leftard catchism assbackwards and wrong, they can’t afford to have this sort of thing continue right out in front of God and everybody. To wit:
“It may also get better over the months ahead,” the UK Telegraph’s Matthew Lynn wrote last week. “With stabilising prices, and a rising currency, investment should start flowing again into a country rich in natural resources and hyper-competitive on wages costs.”
“If so, Argentina would be defying a global economic establishment addicted to bigger government, more regulation, and rising deficits.”
Indeed.
“The risk of a default of Argentina has decreased by 38.4% since Javier Milei took office in December,” news aggregator Visegrád 24 posted to Twitter/X on Tuesday. “The Credit Default Swap (CDS), which acts as a kind of insurance against debt default, stood at 4,280 points when Milei was inaugurated. Now, it has fallen to 2,634 points.”
It’s early into Milei’s term and his reforms have barely had time to take hold. There will be pain ahead because decades of bad policies don’t work themselves out in weeks or months. But shrinking government, tamping inflation, and stabilizing the currency, make for a solid foundation for future prosperity.
Free markets work. Who’d a thunk it?
See what I mean? Not there are NO clouds on the immediate horizon, to wit:
There has not as yet been anything like an authoritarian crackdown on dissent. No journalists have heard that midnight knock on the door, and no communists have been treated to free helicopter rides.
BIIIIG mistake there, Mr President, sir. If there’s any single thing that could be counted as sowing the seeds of your own destruction, suffering a Commie to live would have to be it. Please do note that, for Milei, I added no asterisks or sneer quotes around “President.” No need for ‘em, ‘nuff said.
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"There are men in all ages who mean to govern well, but they mean to govern. They promise to be good masters, but they mean to be masters."
—Daniel Webster
“When I was young I was depressed all the time. But suicide no longer seemed a possibility in my life. At my age there was very little left to kill.”
—Charles Bukowski
“A slave is one who waits for someone to come and free him.”
—Ezra Pound
“The illusion of freedom will continue as long as it’s profitable to continue the illusion. At the point where the illusion becomes too expensive to maintain, they will just take down the scenery, they will pull back the curtains, they will move the tables and chairs out of the way and you will see the brick wall at the back of the theater.”
—Frank Zappa
“The right of a nation to kill a tyrant in case of necessity can no more be doubted than to hang a robber, or kill a flea.”
—John Adams
"A society of sheep must in time beget a government of wolves."
—Bertrand de Jouvenel
"It is terrible to contemplate how few politicians are hanged."
—GK Chesterton
"I predict that the Bush administration will be seen by freedom-wishing Americans a generation or two hence as the hinge on the cell door locking up our freedom. When my children are my age, they will not be free in any recognizably traditional American meaning of the word. I’d tell them to emigrate, but there’s nowhere left to go. I am left with nauseating near-conviction that I am a member of the last generation in the history of the world that is minimally truly free."
—Donald Sensing
"The only way to live free is to live unobserved."
—Etienne de la Boiete
"History does not long entrust the care of freedom to the weak or the timid."
—Dwight D. Eisenhower
"To put it simply, the Left is the stupid and the insane, led by the evil. You can’t persuade the stupid or the insane and you had damn well better fight the evil."
—Skeptic
"There is no better way to stamp your power on people than through the dead hand of bureaucracy. You cannot reason with paperwork."
—David Black, from Turn Left For Gibraltar
"If the laws of God and men, are therefore of no effect, when the magistracy is left at liberty to break them; and if the lusts of those who are too strong for the tribunals of justice, cannot be otherwise restrained than by sedition, tumults and war, those seditions, tumults and wars, are justified by the laws of God and man."
—John Adams
"The limits of tyranny are prescribed by the endurance of those whom they oppress."
—Frederick Douglass
"Give me the media and I will make of any nation a herd of swine."
—Joseph Goebbels
“I hope we once again have reminded people that man is not free unless government is limited. There’s a clear cause and effect here that is as neat and predictable as a law of physics: As government expands, liberty contracts.”
—Ronald Reagan
"Ain't no misunderstanding this war. They want to rule us and aim to do it. We aim not to allow it. All there is to it."
—NC Reed, from Parno's Peril
"I just want a government that fits in the box it originally came in."
—Bill Whittle
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