Immortal classics

Hellacious planes, hellacious stories.

In 1963, a test pilot aimed a massive C-130 Hercules at a carrier deck with no tailhook or arresting wires. He pulled off 21 flawless landings, yet the Navy never did it again.

The audacious experiment was born out of a growing logistical problem: aircraft carriers were operating further out to sea, and standard transport planes were too small to deliver heavy replacement parts like jet engines. To see if they could increase their Carrier Onboard Delivery (COD) capacity, the Chief of Naval Operations ordered a feasibility study on landing the cargo plane at sea.

The Navy borrowed a Marine Corps KC-130F, removed its underwing refueling pods, installed heavy-duty anti-skid brakes, and painted a white centerline on the flight deck of the USS Forrestal. Test pilot Lt. James H. Flatley III was chosen to fly the operation without any catapults for takeoff.

To land a 121,000-pound cargo plane on a floating runway, the Forrestal steamed into the wind to generate up to 50 knots of natural wind over the deck. Flatley brought the Hercules down precisely on the carrier’s white line, immediately threw the four massive turboprop engines into reverse pitch, and stood on the anti-skid brakes. During one test run with an 85,000-pound gross weight, he brought the aircraft to a complete halt in just 267 feet.

Over several weeks, the crew completed 29 touch-and-goes alongside the full-stop landings, plus 21 unassisted takeoffs. The tests proved conclusively that the C-130 could safely resupply a carrier at sea, carrying up to 30,000 pounds of cargo and flying thousands of miles without refueling.

Despite the flawless execution, the Navy never adopted the C-130 operationally for one simple reason: its 132-foot wingspan completely monopolized the flight deck. To receive the Hercules, all other aircraft had to be moved out of the way or struck below, paralyzing normal combat operations. Taking a carrier out of the fight simply to receive cargo was considered unacceptable. Instead, the Navy used the C-130 data to justify building a smaller, purpose-built delivery plane—the Grumman C-2 Greyhound—which could carry a heavy payload, fold its wings, and integrate seamlessly into standard flight operations.

Nobody ever called her pretty, but the venerable Herky Bird assumed several different roles over its long operational lifespan, with an almost shocking success rate. Story Numero Dos.

The Vought F-8 Crusader (originally F8U under the 1922 designation system) is a retired single-jet engine, supersonic, carrier-based air superiority fighter designed and produced by the American aircraft manufacturer Vought. It was the last American fighter that had guns as the primary weapon, earning it the title “The Last of the Gunfighters”.

Development of the F-8 commenced after release of the requirement for a new fighter by the United States Navy in September 1952. Vought’s design team, led by John Russell Clark, produced the V-383, a relatively unorthodox fighter that possessed an innovative high-mounted variable-incidence wing, an area-ruled fuselage, all-moving stabilators, dog-tooth notching at the wing folds for improved yaw stability, and liberal use of titanium throughout the airframe. During June 1953, Vought received an initial order to produce three XF8U-1 prototypes of its design. On 25 March 1955, the first prototype performed its maiden flight. Flight testing proved the aircraft to be relatively problem-free. On 21 August 1956, U.S. Navy pilot R.W. Windsor attained a top speed of 1,015 mph; in doing so, the F-8 became the first jet fighter in American service to reach 1,000 mph.

During March 1957, the F-8 was introduced into regular operations with the US Navy. In addition to the Navy, the type was also operated by the French Navy, and the Philippine Air Force. Early on, the type experienced an above-average mishap rate, being somewhat difficult to pilot. American F-8s saw active combat during the Vietnam War, engaging in multiple dogfights with MiG-17s of the Vietnam People’s Air Force as well as performing ground attack missions in the theatre. The RF-8 Crusader was a photo-reconnaissance model. It played a crucial role in the Cuban Missile Crisis, providing essential low-level photographs of Soviet medium range ballistic missiles (MRBMs) in Cuba that were impossible to acquire by other means at that time. Several modified F-8s were used by NASA for experimental flights, including the testing of digital fly-by-wire technology and supercritical wing design. The RF-8 operated in U.S. service longer than any of the fighter versions; the United States Navy Reserve withdrew its remaining aircraft during 1987.

Crusader with the variable-instance wing deployed:

Update! What the hey, have another: the Crusader’s badass little brother, the A7 Corsair.

The LTV A-7 Corsair II is an American carrier-capable subsonic light attack aircraft designed and manufactured by Ling-Temco-Vought (LTV).

The A-7 was developed during the early 1960s as replacement for the Douglas A-4 Skyhawk. Its design was derived from the Vought F-8 Crusader; in comparison with the F-8, the A-7 is both smaller and restricted to subsonic speeds, its airframe being simpler and cheaper to produce. Following a competitive bid by Vought in response to the United States Navy’s (USN) VAL (Heavier-than-air, Attack, Light) requirement, an initial contract for the type was issued on 8 February 1964. Development was rapid, first flying on 26 September 1965 and entering squadron service with the USN on 1 February 1967. By the end of that year, A-7s were being deployed overseas for the Vietnam War.

The Corsair ended up being another multirole aircraft, rapidly developing into quite the little jack-of-all-trades, master-of-several mainstay until the F16 and F/A18 came along to elbow it unceremoniously aside. The family resemblance between the two Vought fighter/attack siblings is unmistakable.

See whut I mean?

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FLYING CARS!

Brought to you, at long last, by the incredible Elon Musk.


Elon’s desert-dry “Well, it worked” at the end is beyond priceless. Lots more way-cool vids—including the one showing this little shit-peeler doing 0-60 in less than one second (!)—at the link up top.

Update! InstaGlenn takes the piss out of a bunch of shitlibs doing what they always do: whining, bitching, and moaning about somebody who just did something they’ll never be able to do themselves in a bajillion years. To wit:

The thing about the left is, it’s made up largely of people who aren’t great at doing things. They don’t get rich by building things or doing things. They get rich, when they do, by declaring problems, getting the government to throw money at them, and then stealing some (sometimes pretty much all) of that money for themselves and their NGOs. There’s nothing for them in flying cars.

But there’s more than that going on here. Because getting rich to them is secondary to self-importance. When Elon does something cool, they’re offended because they feel diminished by that. As Norman Mailer wrote about why the hippies turned against the space program, the hippies spent years going around talking about how they were going to change the world, then a bunch of guys with flattop haircuts and pocket protectors and slide rules went and actually did it. Unforgivable.

Yep, nailed it in one go. Glenn’s closer is priceless: “Cool things are what Americans do. Let’s stay Americans.” Heh. Indeed.

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Let Tony say it

Update!  Via our old friend Sefton, Trump had a few choice words to add himself.

Trump Says ‘Days of Plunder’ of Columbus Statues ‘Are Over’
President Donald Trump issued a Columbus Day message, stating that the “days of plunder” of radical left Democrats, socialists, and communists ripping down statues of Christopher Columbus “are over.”

In a post on Truth Social on Sunday, Trump issued a Columbus Day message, a day early. In his post, Trump shared that Columbus Day is “a big day for our great Italian American Community.”

“HAPPY COLUMBUS DAY TO ALL, in particular our great Italian American Community which was forced to suffer as the Radical Left Dumocrats, Socialists, and Communists rampaged through our cities and towns ripping down almost all of the beautiful statutes of Christopher Columbus,” Trump said. “Well, those days of plunder are over, and the statues are back, more magnificent than ever.”
“This is a big day for our great Italian American Community, and the Country of Italy itself, maybe the biggest,” Trump added.

On Friday, Trump spoke about how “the radical left communists hate Columbus,” and also accused Democrat Michigan U.S. Senate candidate Abdulrahman Mohamed El-Sayed of wanting “to abolish Columbus Day.”

Preach it, Mr Preznit, sir.

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Demented Dominion

Elizabeth Nickson is just having WAAAY too much fun, bless her coal-black little heart.

The Demented Dominion is In A Lather and It is Marvellous
Trump has kicked over a bucket of murder hornets; life here consists of stumbling from one fainting couch to another

Who knew Canada could get so interesting? I am enjoying the hell out of this every day, as one flailing socialist after another trumpets his superior virtue, while the economy withers and dies and everyone with mettle and energy leaves. Plus it’s creating some awesome awesome humour.

I am trying to understand and explain why 70% of Canadians support Mark Carney. Essentially, 60% of us depend on the government for our living, and the rest, the 30% will expire, their businesses, income and revenue will drop, if the Trump tariffs take effect. Which means that the Liberal Party of Canada has broken the country so thoroughly, that without the massive subsidy from the States of 10% of our GDP a year – to include our $50 billion trade deficit with the U.S., our 25-50% tariffs on U.S. goods coming in, and 2% of our annual GDP spent on defense.

We cannot do it. We will die. We cannot exist without American largesse. We have destroyed our economy so thoroughly we are beggars.

Our GDP will drop (to) 0% and we will be in a deep deep depression.

Which may be the only thing to wake us up.

It’s a fairly long piece, of which you absolutely MUST read the all. And bang! Zoom! Just like that, into Ye Aulde Bookmarkes ’N’ Blogrolle she goes. Her blog is titled “Welcome To Absurdistan,” and believe me, cadets, you WILL be seeing that name around these parts again.

Update! From Elizabeth’s “About” page.

Here are my credentials. I was trained at the London Bureau of Time Magazine, spent seven years there, ending as European Bureau Chief of LIFE Magazine. I published a novel, The Monkey Puzzle Tree with Knopf and Bloomsbury. I’ve written for the Telegraph, the Globe and Mail, Harper’s Magazine, the Sunday Times Magazine, British Vogue, the Independent, the Guardian, the Observer. I have moonlighted writing for the Daily Mail (fun!) and covered the collections in Paris and London for the Toronto Sun and the LA Weekly.

In 2012, I published Eco-Fascists, How Radical Environmentalists are Destroying Our Natural Heritage, with Adam Bellow at Harper Collins New York.

To research the book, I drove 20,000 miles into the American backcountry, deep into the towns and counties no one visits. Over a full decade, I talked to thousands of men and women negatively impacted by the regulatory regime put in place by activists in government. They care deeply about the land and its health and no one listens to them. Regulations are put in place by people who live thousands of miles away and who are utterly heartless in their orientation, because the devastation is extreme. 20 million have been driven from their lands in the developing world, and I counted 14 million in the USA. Those lands more often than not, degrade. No one else has done that reporting in any systematic way, and I am, God help me, an authority on zoning, regulations, rules, legislation, land use, environmental NGOs, and the bitter fight over land, water and resources in the US, and to a lesser extent in Canada.

As I just said above: bookmarks. Blogroll. The lady is qualified and talented, with a unique perspective and a lively, appealing, even humorous (dare I say it) outlook. I look forward to working my slow, careful way through her blog archives, and to seeing more fine work from her in days to come. You go, girlfriend!

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Moar Sophie, STAT!

Go on, just you TRY and tell me my girl Sophie C ain’t just completely, totally adorable. Just try.


💗 💗 💗!!!

Update! From the comments.

Yeppers.

Updated update! Clay Travis ays, “Sanity is winning in America,” and thanks in no small part to Sophie C, perhaps it is at that.


I say again: You go, girl.

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Life, imitating art

Okay, I gotta admit, when I saw this my mind was well and truly blown.

Here’s the Answer to Those White House Tweets Teasing That ‘Something’s Coming’
CNN, MS NOW, and Politico were banned from White House briefings by President Donald Trump last week for being “fake news.” They responded by making a joint statement on Monday announcing they would be suing to get their access restored.

Then other media outlets that were involved in the pool coverage of the White House said they would be suspending their coverage of Trump and the White House in response to the ban of the outlets.

The whining was something.

Then the White House teased that “something was coming” and advised people to watch the White House X account.

The White House appears to be getting ready to do an end run around the legacy media. They just posted this tweet.


Now, all that’s hilarious enough already, yeah. BUT, just to make the whole scenario even more delicious, jam-packed with rich, buttery goodness, and SOOO good for you, here’s the rest of the story.

See, I just happen to be about a third of the way through Book 5 of Kurt Schlichter’s awesome Kelly Turnbull series of novels, this one titled Crisis, when what to my wondering eyes should appear but the introduction of a new character, a highly atypical female TeeWee news-wench name of Avery Barnes. Check it:

“Hey,” said a woman’s voice from behind Turnbull, one with a lightly suppressed Southern lilt. “You in the leather jacket.”

Turnbull pivoted, assuming he’d draw the SIG and go for a Mozambique drill on his interlocutor – two in the chest, one in the hat rack – if it came to that. But his kill plan wasn’t necessary, at least not at that moment.

The woman calling to him was a pretty blonde in her early 30s, clearly a reporter since a cameraman was standing next to her, munching on a green apple and looking bored. He was dressed like a hobo, as field cameramen generally are, but she was extremely put together. She looked like she was about to walk into her suburban Georgia Baptist church for the first time after getting divorced, with a slightly too-tight red dress that hovered above her knees, loads of make-up, and every hair locked into its assigned place. The mic she held said “Trump News Network” in gold letters.

SO. If the White House staff haven’t come up with a name for this new venture yet, I may could offer a suggestion.

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Lessee…

Aiight, just for the sheer hell of it, were gonna try something here.

InmanVid.mp4

Swiped from the esteemed (and usually estoned and esdrunked*) Boilerdoc, for purposes of gratuitous experimentation. Now to hit “Publish” and see if it actually works.

Update! Well, that’s nice and all, but not quite what I was aiming for. You can click on the “InmanVid” link to watch the vid, but I was hoping to embed the stupid thing. Oh well, I am NOT gonna spend the rest of my natural life fumble-fucking around with this shite.

* That’s one of my all-time favorite riffs from my dear departed friend Chris Pfouts

The WINNAHS!

What could be finer than my two absolute favorite females together in the same X/Tweet?


Excellent quote re Sophie: “Again, the WNBA enforcer opens her mouth and out pours the common sense and reason.” Annnnnd BINGO! Nailed it in one. Sophie girl is definitely prone to that sort of thing, bless her smokin’ hot self.

Update! One of the all-time great Sophie C moments. Not the clothesline, natch, but just take note of how many people it took to pull My Girl off of that cultural-appropriating fake-blonde cheater bitch.

It’s plain to see, from the first part of the vid, that Sophie C has NO problem at all with playing what you might call a physical game. No whiner, she, so don’t EVEN try to go there.

Updated update! ZOMG—I knew Sweet Sydney dug restoring and wrenching on classic cars, but after learning this…well, that’s it, I’m all in with this babe-a-licious doll.

In order to set Ford’s business up for long-term success, we set our sights on improving brand perceptions by women.

To de-stereotype Ford in the eyes of many, we needed to go beyond advertising. To do this, we partnered with a surprising Ford driver and mechanic, Sydney Sweeney. Together, we created an Auto 101 series to help people feel more confident doing auto basics on their cars, created an inclusive workwear line, and got people the world talking about women in auto.

Every asset that was made, was made to show a new side of Ford.

We tapped into Sydney’s knowledge and passionate fan base with an Auto 101 series where Sydney taught auto maintenance basics like how to check your oil and more.

To take Sydney’s love for cars even further, she helped us design a custom baby blue 2024 Mustang GT to give away to fans.

In addition to all her other fine qualities, she’s a fellow Ford fanatic as well? Okay, that’s it for me, I am now hopelessly smitten over here.

Unintentionally (?) funny

Even when they’re they’re waxing all pinch-faced and scoldy, their position is so inherently self-contradictory and absurd, the cognitive dissonance so scaldingly intense, that they can’t help but be funnier than a psychic concatenation of Jack Benny, Norm McDonald, and Richard Pryor on speed. To wit:

New Zohran Mamdani Top Advisor Literally Wrote the Book on “Gay Communism”
—Disinformation Expert Ace

Okay, it wasn’t a book, it was a magazine, and she didn’t write it, she edited it.

So, more accurately: She literally edited the magazine by and for Gay Communists.

The magazine’s name?

See if you can guess. What name would appeal to both left-wing gays and communists?

That’s right — “Pinko” magazine, the magazine for gay communists.

Heh. See what I’m talking ’bout?

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Q&A

Today, “Screamin’ Meemie Monday,” I ran this over at the Eyrie:

Having gotten a perfect score on those 20, it got me to thinking about another meme I had picked up from MWC not long ago, whereupon I decided to ask a question of my own.

Okay, all you old geezers, how many got it right? Heh.

Update! Just checked to make sure, and I might be wrong on that one: the character tied to the tracks could actually be Nell Fenwick, although Nell had flaming red hair, and the girl above looks to be more blonde than red.

Another commemoration

I’m a few days late with this one, but…yeah.


For my money, the hands-down best song on that whole album would have to be…

Fifty years, huh? Man, that CAN’T be right. Can it…?

Update! Just watched it again, and one thing really stuns me: some of the tastiest, most iconic classic-rock lead guitar riffage of all time, and Scholtz is playing—wait for it—KEYBOARDS? Not that Barry Goudreau doesn’t step up like a man and do a bangup job of it, but I mean, come ON, man! SRSLY?!?

Airport memorializing

Best and most apt Dolly memorial I’ve seen so far.


Only D and DD? Sorry, but I was married to a DD-Plus gal myself, and I can say with no little authority that Dolly was a Triple or Fourple-D, if not even larger than.

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KHAAAAANN!

First up, let’s check out this phat meme (courtesy of Ms Hoyt, thanks!) which is what reminded me of this cool-ass little story in the first place.

Heh. By cracky, that’s just too darn punny right there. Now, let’s get to it.

The Picture That Settles The Khan Chest Debate
It’s been years since I’ve looked at Star Trek II: The Wrath of Khan, but I do remember as a youngster buying into the idea that Ricardo Montalbán, who played the titular villain Khan, was wearing a prosthetic chest.

In case you’re not aware, it’s sort of an old urban legend that has been around for 35 years. Here is what the trivia on the IMDb says:

It has been widely debated that Ricardo Montalban’s chest was actually a prosthetic piece that he wore during the film. In the director’s commentary in the special edition DVD, Nicholas Meyer is quoted as saying that it was, in fact, Montalban’s actual chest and that he was a very muscular man who worked out. During publicity for the movie, during an appearance on The Tonight Show Starring Johnny Carson (1982) Montalban explained that he was able to achieve the look seen in the film by doing push-ups. “A lot of push-ups.”

The problem some people had was that Montalbán was an older gentleman at the time of filming and had a chest that was alpha as fuck, coupled with some curious attire positioning and a necklace that in theory would hide a suspect seam, and some poor VHS quality, some insisted it was fake. The layers of crude, fake, makeup Nimoy and Shatner wore — it looks like they rolled their faces in their wive’s makeup drawers — probably didn’t help.

Well, the following pic puts that to rest decisively.

Which, for my money, it….does. I’m satisfied that Montalban’s sculpted, manly chest is/was in fact the genuine article, no prosthetics required. Funny thing is, as a diehard Trek fanboi for pretty much my whole life, I never knew until just now that there ever even was a “Khan’s chest” debate; all along, I had just assumed it was either plastic or some other type of movie-magic fakery. Glad we finally got that all cleared up, aren’t you?

Funniest of all is that in the flick, Montalban’s Khan character was, in fact, a genetically-altered Übermenschen, specifically bio-engineered to be vastly superior in every way to us pathetic, flabby Normals. So in the end, not only was Montalban’s studly bod the real deal, but the man’s Rodin-statue-esque physique was probably a major part of the reason he got picked for the role to begin with. The above article appends another pic from early in Montalban’s acting career that’s even more convincing:

Yep, if THAT don’t persuade you, I can only guess that “Khan’s fake chest” is a position you simply aren’t open to changing yur mind about.

Update! Did a quickie Luxxle search, and whaddya know, further evidence in support of the proposition that Ricardo Montalban had a seriously carved-up, cut-up phyzz.

Montalban 2.

From another of his early movies, 1950’s Right Cross, in which Mr Rich Corinthian Leather portrays (you guessed it) a Mex-American boxing champeen.

Updated update! You wanna see something that really IS fake, phony, and fraudulent? Try this on for size.

Corinthian leather is a marketing term coined by copywriter Jim Nichols with the Omaha-based Bozell advertising agency in 1974 to describe a leather upholstery used in certain luxury vehicles of the Chrysler automobile company.

The advertisements developed the term Corinthian leather to imply a premium product of foreign origin denoting something rich, rare, and luxurious, though the product was in fact made by the Radel Leather Manufacturing Company in Newark, New Jersey.

Though Chrysler first used the term Corinthian leather in advertisements for the 1974 Imperial LeBaron, the term itself would ultimately become heavily associated with the 1975 Cordoba, an intermediate personal luxury car. The success of the advertising campaign closely associated actor Ricardo Montalbán, the spokesman, with the Cordoba’s so-called Corinthian leather. In promoting the Cordoba model, Montalbán described a car interior with thickly-cushioned, luxury seats upholstered in what were variously described as either fine, soft, or rich Corinthian leather.

When asked on Late Night with David Letterman what the term denoted, Montalbán said that Corinthian leather was a marketing term. Montalbán credited commercial writer Jim Nichols for the term. In promoting the Chrysler New Yorker in 1988, Montalbán described the Corinthian leather as a “rich” leather. The term came to include the vinyl upholstering for interior surfaces, such as the backs of the front seats and the head rests, and the lower parts of door facings.

Just in case any of y’all miscreants had somehow conjured the erroneous idea that We Duh Peepul being lied to, led astray, hornswoggled, and duped was something new.

The dirtiest song ever recorded

Is not “Think Twice Version X” by Jackie Wilson and LaVerne Baker, nor is it “Rotten Cocksuckers’ Ball” by the Clovers, nor is it “Shave ‘Em Dry” by Lucille Bogan—serious contenders all, certainly, but for my money the all-time prize for dirty tuneage goes to, of all artists/groups/whatever…erm…the Andrews Sisters?!?

The title is “Rum And Coca Cola,” which got the thing de facto banned upon its (attempted) 1945 release for the mention of alcohol in both title and chorus. What makes this ditty the all-time champ of dirty is the lyrics’ contention that, basically, every female in Trinidad was a prostitute, running down to the docks to peddle ass to US sailors anytime a Navy ship sailed into port. As the lyrics flatly put it, “Both mother and daughter/Working for the Yankee dollar.”

Nope, nothing coy or subtle about that, I must say.

The melody was published as the work of Venezuelan calypso composer Lionel Belasco on a song titled “L’Année Passée”. The lyrics to “Rum and Coca-Cola” were written by Rupert Grant, another calypso musician from Trinidad who used the stage name Lord Invader.

The song became a local hit and was at the peak of its popularity when US entertainer Morey Amsterdam visited the island in September 1943 as part of a U.S.O. tour. The song was then published in the United States with Amsterdam listed as lyricist and Jeri Sullivan and Paul Baron as composers. Although he claimed never to have heard the song during the month he spent on the island, the lyrics to his version are clearly based on the Lord Invader version, with the music and chorus being virtually identical. However, Amsterdam’s version strips the song of its social commentary. The Lord Invader version laments that U.S. soldiers are debauching local women who “saw that the Yankees treat them nice/and they give them a better price.” Its final stanza describes a newlywed couple whose marriage is ruined when “the bride run away with a soldier lad/and the stupid husband went staring mad.” The Amsterdam version also hints that women are prostituting themselves, preserved in the Lord Invader chorus which says, “Both mother and daughter/Working for the Yankee dollar.”

Since the Yankee come to Trinidad
They got the young girls all goin’ mad
Young girls say they treat ’em nice
Make Trinidad like paradise

The song was recorded in 1944 by The Andrews Sisters, crediting the composition to Amsterdam, Sullivan and Baron. The sisters seem to have given little thought to the meaning of the lyrics. According to Patty Andrews, “We had a recording date, and the song was brought to us the night before the recording date. We hardly really knew it, and when we went in we had some extra time and we just threw it in, and that was the miracle of it. It was actually a faked arrangement. There was no written background, so we just kind of faked it.” In under ten minutes they made a record that sold seven million units and sat at number one on the Billboard magazine chart for seven weeks. Maxine Andrews recalled, “The rhythm was what attracted the Andrews Sisters to ‘Rum and Coca-Cola’. We never thought of the lyric. The lyric was there, it was cute, but we didn’t think of what it meant; but at that time, nobody else would think of it either, because we weren’t as morally open as we are today and so, a lot of stuff—really, no excuses—just went over our heads.” Some stations refused to play the song because it mentioned rum, and alcohol could not be advertised on the air, or because it mentioned the brand name Coca-Cola, which was perceived as advertising for the soft drink.

Fret not, people; y’all know I wouldn’t leave ya hanging as to what the song sounds like.

OH, you naughty, naughty girls!

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—Bertrand de Jouvenel

"It is terrible to contemplate how few politicians are hanged."
—GK Chesterton

"I predict that the Bush administration will be seen by freedom-wishing Americans a generation or two hence as the hinge on the cell door locking up our freedom. When my children are my age, they will not be free in any recognizably traditional American meaning of the word. I’d tell them to emigrate, but there’s nowhere left to go. I am left with nauseating near-conviction that I am a member of the last generation in the history of the world that is minimally truly free."
—Donald Sensing

"The only way to live free is to live unobserved."
—Etienne de la Boiete

"History does not long entrust the care of freedom to the weak or the timid."
—Dwight D. Eisenhower

"To put it simply, the Left is the stupid and the insane, led by the evil. You can’t persuade the stupid or the insane and you had damn well better fight the evil."
—Skeptic

"There is no better way to stamp your power on people than through the dead hand of bureaucracy. You cannot reason with paperwork."
—David Black, from Turn Left For Gibraltar

"If the laws of God and men, are therefore of no effect, when the magistracy is left at liberty to break them; and if the lusts of those who are too strong for the tribunals of justice, cannot be otherwise restrained than by sedition, tumults and war, those seditions, tumults and wars, are justified by the laws of God and man."
—John Adams

"The limits of tyranny are prescribed by the endurance of those whom they oppress."
—Frederick Douglass

"Give me the media and I will make of any nation a herd of swine."
—Joseph Goebbels

“I hope we once again have reminded people that man is not free unless government is limited. There’s a clear cause and effect here that is as neat and predictable as a law of physics: As government expands, liberty contracts.”
—Ronald Reagan

"Ain't no misunderstanding this war. They want to rule us and aim to do it. We aim not to allow it. All there is to it."
—NC Reed, from Parno's Peril

"I just want a government that fits in the box it originally came in."
—Bill Whittle

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