Ghosts in the Machine

Jason Pepe puts it to ya straight up, no chaser.

What is really happening to America in 2023?

The indictments have nothing to do with Trump. Not really. Conversely, the cover-up of impeachable crimes have nothing to do with Biden.

Don’t kid yourself. Joe Biden is not powerful or smart. He’s barely alive. And that’s the point.

This is a pure exercise in POWER by those who truly *wield* power in our society: The security state.

The ‘security state’ is made up of a constellation of permanent Washington DC apparatchiks who cling to the power center like fossilized barnacles.

The security state *never* puts their names on a ballot. Too dirty. They would not dream of stooping that low.

They are the 𝑮𝒉𝒐𝒔𝒕 𝒊𝒏 𝒕𝒉𝒆 𝑴𝒂𝒄𝒉𝒊𝒏𝒆

It’s far superior to control who CAN run for office. And who is allowed to WIN that office. And who is allowed to STAY in office (i.e. Nixon & JFK)

Presidents come and go. This system stays the same. The security state system has been in place for more than 70 years. All Presidents kneel. No President crosses them and survives…until the great breaking of the system in 2016.

He goes right on nailing it down clean and tight from there, and it’s a thing of joy and wonder to behold. Really, by the end it all boils down to a deeply stirring challenge, a throwing down of the proverbial gauntlet. Kudos and a tip of the CF chapeau to ya, Jase.

(Via Renegade Thor)

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Why, as a matter of fact NO, Jason Aldean didn’t “sell out” or “cave”

Faux News did.

Aldean has stood behind his song and its message, and the attempts to cancel it have only made it more popular.

But now some people are reporting that Aldean caved to the woke mob by removing footage of a Black Lives Matter riot from the music video of “Try That in a Small Town.”

“Jason Aldean caved under pressure and removed all the Black Lives Matter footage from his music video despite receiving an outpouring of support from conservatives. So much for that. There are no more heroes,” lamented journalist Ian Miles Cheong. “Gotta have it both ways by pretending to be based for that cash, while folding to the woke in this business if you wanna keep getting invited to the Grammy’s [sic].”

“Jason Aldean quietly edited out the BLM rioters from his ‘controversial’ music video,” Brigitte Gabriel of ACT for America observed. “Very disappointing to see him cave to the woke mob.”

But that’s not what happened at all. According to a report from TMZ, the BLM riot footage used in the Aldean video came from Fox 5 in Atlanta, and the production company behind the video didn’t get the proper legal clearance to use the footage.

From the story Margolis links:

Sources connected to the music video production tell TMZ…back when they were producing the video, the company that produced it reached out to FOX on May 8 and asked for permission to use the 6 seconds of video shot by FOX 5 Atlanta…showing violence at a BLM rally.

We’re told the folks at FOX asked for more information … specifically the lyrics of the song. We’re told the production company sent FOX a link to the song — which was released May 19 — but the protocol was to send the lyrics in writing, which they never did.

Our sources say a week ago, FOX reached out to the production company and asked them to remove the video to avoid any legal action — which was described to us as a “polite ultimatum” — and the production company complied.

And there you have it; as always, the truth will out, though it may take a minute doing so. But also as per usual, the Left will use any lie they must so as to paper over the truth and claim another “victory” for themselves—even as flimsy, easily-disproven a one as this. Back over to Matt for the finisher, and the lesson to be learned, remembered, and always borne closely in mind.

So, this wasn’t about caving to the woke mob. This was Aldean’s production company being sloppy and not getting permission to use the footage included in the video. While there have been plenty of times conservatives have been rightfully disappointed by someone caving to the woke mob, this wasn’t one of those moments, and conservatives shouldn’t have jumped to conclusions.

Exactly, precisely so. They win enough as it is, without us pre-emptively surrendering when there’s no need for it, reflexively throwing one of our own under the bus at their behest. FUCK all that noise.

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National treasures

Not just one, but two of ‘em.


The above is three minutes’ worth from Tucker’s latest Twitter X ep, itself an extended interview that is absitively, posolutely worth your while. I didn’t expect I’d ever say such a thing, not being anybody’s idea of a rap/hip-hop fan, but Ice Cube shows himself to be an independent-minded, extremely thoughtful and politically-astute guy—articulate, even. Whodathunkit? Watching this interview gave me a whole new respect for the man.

Update! Waitwaitwait—is that Erik Satie I hear in the background as outro music? Right at the very end? I do declare, I believe it is! Wonder whose idea THAT might have been?

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Straight dope on…ummm, dope

Why are certain pharmaceuticals becoming rare as hen’s teeth in the FUSA? Bill lays it all out over at the DP mothership, then hits on a related topic in his latest for Substack: Blogs – What Are They Good For? Both posts are of the impossible-to-excerpt variety, so just click on over and read ’em all.

No fate

But what we make. So far, we seem to be making a piss-poor job of it.

Recently, I was asked to make the “pessimistic case for the future.” I present instead more of a “pessimistic take on the present.” The future, while imminent, is obscure. The present, by contrast, is knowable. This is also not so much a “case” replete with exhaustive evidence—there isn’t space for that, nor is there a need—as a quick tour through our present hell. No one who thinks “everything is fine” will be persuaded otherwise. Those who see the seriousness of our problems hardly need proof. Nor have I made any attempt to be evenhanded, much less philosophically detached. My account is perforce one-sided. I hope it is wrong.

Alas, all evidence to date indicates that it isn’t. In fact, seeing as how this is Michael Anton we’re talking about here, one might reasonably assume that it’s all dead accurate; with him, that’s practically always the case. In this essay, Anton breaks his arguments down into sub-categories, which for purposes of this excerpt I’ll present as is, formatting intact (ie, italics). No better place to begin than the beginning, right?

The Constitution Is All but Dead

We Americans are supposed to govern ourselves via a constitution that rests on a specific understanding of natural right (right and wrong, good and evil, better and worse exist by nature) and natural rights (government’s job is to secure people’s God-given rights to life, liberty, property, etc.). The Constitution specifically declares and delimits the purposes of government and its powers, and it specifies how we the people choose the officers of the state, who are supposed to exercise those powers.

We still choose, sort of, but that hardly matters, because the people we nominally elect do not hold real power. And when they do, they often use it for unconstitutional ends. America’s real rulers are not the constitutional officers we nominally elect, and certainly not the American people, whom our understanding of political legitimacy asserts to be sovereign. They are, rather, a network of unelected bureaucrats, revolving-door Cabinet and subcabinet officials, corporate-tech-finance senior management, “experts” who set the boundaries of acceptable opinion, and media figures who police them.

Add to this the routine, repeated violations of our explicitly guaranteed rights—Big Tech censoring free speech, big cities denying the right of self-defense, the government itself violating the right to be secure in one’s person, home, papers, and effects, against unreasonable searches and seizures—and it becomes more than a stretch to describe the United States as any longer a “constitutional republic.”

We Have Two-Track “Justice”

How the same offense is treated by our “justice” system depends on who’s committed it and, often, for what purpose. At the upper strata, compare the treatment of Hillary Clinton, James Comey, and Andrew McCabe with that of Roger Stone, Paul Manafort, Steve Bannon, Carter Page, and Michael Flynn. Clinton illegally hid, and then deleted, her proprietary—and classified—communications from government records. Comey and McCabe orchestrated the Russia Hoax and lied about it. None of these three was even charged.

The latter five have all been hounded by the state—some convicted and imprisoned, all at least bankrupted and defamed. Their crimes, to the extent that any were even committed, were all much less serious than those of the regime darlings.

Compare the treatment of the Jan. 6 protesters with the total impunity granted to the summer 2020 rioters. One example: Two lawyers, literally caught throwing Molotov cocktails, were given slaps on the wrist. Meanwhile, Kyle Rittenhouse was charged with first-degree murder (one of six charges) for shooting two deranged thugs who were in the process of trying to kill him. All over the country, and especially in blue-ruled precincts, acts of self-defense will get you arrested, jailed, and possibly imprisoned. Meanwhile, in the Black Lives Matter era, so long as the perp is the correct race or acting in a sanctified cause, violence and arson are excused.

Skipping a couple categories down, we come to what I consider to be the most condemnatory, troubling, and just downright infuriating of the entire lot.

We’re So Blinkered by Ideology that We Can’t—or Won’t—Apply Obvious Solutions to Simple Problems

The same way we don’t lock up criminals because “racism,” there is almost no end to the sensible things we refuse to do, and the stupid things we eagerly do, because of ideology.

The United States is presently in the midst of our worst energy crunch since the 1970s. Instead of expanding supply, we are constricting it. Why? “Climate change.” But nuclear would generate energy without carbon emissions. The same people who say no drilling also say no nuclear. Why? Supposedly, because the plants themselves and the waste they generate are “unsafe,” though nuclear power has a near-perfect record in this and nearly all countries. (The real reason is to force everyone to don the hairshirt.)

Our drug problem is fueled by Mexican cartels that cross our border with impunity. But we don’t secure the border because “no human is illegal.” Monkeypox is transmitted at homosexual orgies. We won’t close bath houses because “love is love.” But we will close churches, gyms, and restaurants over Covid. That’s an emergency!

“WE’RE so blinkered”? As Tonto said to the Lone Ranger, whatchoo mean WE, white man? The shitlibs own that one lock, stock, and barrel. Which of course Anton knows, as the above-cited examples demonstrate without explicitly spelling out.

By the end, each of Anton’s sub-cats tie in together to present a scarifying portrait of where we now are, with seriously ominous indications of where we might be heading. Essentially, he uses interlocking bricks to construct an unassailable wall of logic and observation as deftly as a Master Brickmason. For instance, the connection betwixt “We Prioritize “Diversity” Over Mission and Performance” and “Our Military Doesn’t Win” is readily apparent, with the first being a primary reason for the second. It’s a blunt-force yet subtle strategy of argumentation that even TeeWee lawyer Perry Mason could only shake his head in awe and admiration at, being fond of the same sort of thing himself.

Most condemnatory, depressing line of all has to be the one which caps off the mercifully-concise “Nothing Works Anymore” sub-cat: “The whole country is becoming the DMV.” To which the response can only be: ouch. Also: YIKES!

Much, much more yet to this typically top-notch article, of which you should definitely read the all. Adapted from Anton’s contribution to Encounter Books’s Up from Conservatism compilation, it’s as comprehensive, unflinching, and clear-eyed an examination of the roots of our woes as can be imagined. From the EB website’s book-blurb:

The Conservative Establishment’s consensus of the past two generations has almost totally broken down. Conservatism was unable to stop or even slow the Left’s rolling revolutions in nearly every sector of American society—from classrooms to boardrooms, from the military to the culture at large. The Left has successfully transformed the nation over the past few generations, racking up victory after victory, with no clear end in sight. This is not sustainable for the country or the constituency represented by the Republican Party. For the Right to have a serious future, it needs to rethink its positions and think more deeply about the essential policy questions which will define the future of the country: race, men and women, sexuality, religion, the economy, foreign policy, and other major issues. This collection of essays, written by some of the Right’s most interesting thinkers and practitioners, seeks to reframe the ideological and policy direction of the American Right.

Can’t find a whole lot to argue with there, other than to say I’m extremely doubtful that “think(ing) more deeply about…policy questions” will ever avail us much. When you get right down to the nut-cutting, it amounts to putting the policy cart before the ideological horse.

The conflict presently before us doesn’t primarily revolve around “policy,” but fundamental beliefs. Unfortunately, we find ourselves smack in the middle of a struggle involving ideologies which are entirely incompatible, one insistent on totalitarianism and absolute, unchallenged State power over the individual, the other on ordered liberty and the right to be left alone to live as one chooses, within certain constraints to which both parties are in agreement.

There can be no reconciliation of the two, no satisfactory compromise, no middle ground. As pretty much all of 20th-century history more than adequately demonstrates, whenever and wherever the Leftist glioblastoma is permitted to metastasize and flourish within a liberty-oriented body politic this conflict is made inevitable. One side must win, the other must lose. Once the victor has been determined, “policy” will necessarily flow from there.

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This. This right here

In his weekly Sunday Music post, Aesop embeds the Jason Aldean and Austin Moody protest songs I’ve covered here, before going on to tell it like it truly is.

Anybody bitch-slapping the Leftards, and getting rich doing it, deserves a hearty “Hell, yeah!” Libtards hate this, because anytime they’re getting stuck by any genre of music, it underlines that their whacktard kneejerk orthodoxy has become The Man.

That’s about the size of it, yeah. I went a little out of my way in the posts here to indicate my dislike for contemporary country music, much though I do love the great old trad stuff from 50s legends like Faron Young, Ray Price, Jimmie Rodgers, et al. No matter; as Aesop says, Aldean, Moody, any and every other artist who’s willing to stand athwart “liberalism” and yell STOP! is certainly a-okay by me, regardless of what genre-furrow they might be plowing.

Update! Completely unrelated, except insofar as it was gleaned from another regularly-scheduled Sunday music post. But oh my goodness GRACIOUS, this is some wild, wild stuff right here.

The backstory, courtesy of the esteemed and estimable Bayou Peter:

Richard Cheese and his band, “Lounge Against The Machine”, have been performing rock and pop hits in the style of big-band “swing” for more than two decades. The person behind the persona, if I can put it like that, is Mark Jonathan Davis, and his backing band includes Bobby Ricotta, Frank Feta and Billy Bleu. All the stage names, of course, are wordplays on the subject of cheese.

I have to admire their creativity in transforming well-known tunes and songs into a whole new genre of music. I’ve selected just four this morning, to introduce you to their work, but there are dozens more.

Crazy, man, crazy, as the kids used to say. I confess I didn’t listen to the other three over at Pete’s place because I simply can’t abide the original songs, but I’m sure Cheese improved on ‘em a great deal.

Both kinds, country AND western

In the course of a discussion on country music both trad and *ugh* contemporary over at Sido’s place, I was moved to respond to Outlaws Forever’s comment thusly:

SidoCountryComments

This in turn got me headed over to YewToob to reacquaint myself with a few Ray Price songs, when up popped a BPs cover of his classic “Crazy Arms” amongst the rest of the flawless tunage.

Pretty decent homage if you ask me, which of course nobody did.

Update! Moar country-music rebellion.

Another Anti-Woke Country Anthem Is Shooting Up The Charts
As Jason Aldean’s “Try That In A Small Town” continues to top country music charts in the face of backlash from left-wing entities, another anti-woke country anthem is also enjoying its own surge to the top.

“I’m Just Sayin’” by Nashville-based artist Austin Moody — a song that critiques radical positions on crime, gender ideology and college indoctrination — currently holds the number seven slot on iTunes’ top 40 country chart. “I’m just sayin’, have we all lost our minds?” reads the chorus of the song meant to reflect what many think in private, but feel unable to say in the face of pressure from powerful groups and institutions.

“I am absolutely floored by the response I’ve gotten on the song,” Moody told Breitbart News. “It just proves to me there’s still a strong moral compass in this country, and it means that honesty and freedom cannot be independent. You have to be honest even if it costs you.”

In a previous interview, Moody told Breitbart that he felt compelled to write the song due to the creeping influence of woke ideology in popular country music circles. Those sentiments were immediately validated just days after the interview, as Country Music TV (CMT) opted to remove Jason Aldean’s viral “Try That In A Small Town” music video from its lineup.

“Over the past couple years, I’ve been convicted. Seeing a lot of things happening in this country that I don’t agree with. You sit back and think, ‘what can I do about this?’” Moody said. “All I could hope for is when people hear ‘I’m Just Sayin,’’ they just know it was written to say we’ve had enough. We live in a society bent on the destruction of the individual. If you don’t fall in line you’ll be cancelled or destroyed.”

The Tennessee native went on to add that the birth of his daughter was another massive inspiration to write the song. “In today’s world, what we’re dealing with, it’s not just about politics. It’s about a darkness that’s now coming for our children. I’ve got a 15-month-old daughter. I don’t want her growing up in a liberal-run America,” he said.

Well said, sir. May I say, you have the right idea: jumping on these Woke fucksticks before they can infiltrate the House of Country Music like the termites they are and bring it crashing down on all your heads is definitely the way to go. The rest of the country failed to do so, and just look where THAT got us.

Still no big fan of contemporary country music, and I certainly mean no insult to Jason Aldean, but I gotta say I like Moody’s song better than I do Aldean’s.

I sincerely wish both Jason Aldean and Austin Moody nothing but the best. May you both enjoy all the success in the world, fellas. For courageously taking your stand and standing your ground in such parlous, trying times, you richly deserve it.

Inside-baseball addendum: Lest anyone think this is a hurry-up job by Moody hoping to jump on a bandwagon which Aldean had already gotten rolling, y’all should know that that is NOT the way things work in the music biz. Or at least, not that quickly, anyhow. The song being released just recently means that Moody has almost certainly been working on it for at least a year, if not longer.

He would have to have been, what with composing and editing, bringing it to the band for rehearsals, then booking studio time for tracking and overdubs, mixing, and final mastering all needing to take place before the first CD is even pressed and shipped—a very time-intensive process in and of its own self. Cover art; decisions on the J-card layout, track-listing order, and credits; running it all by the label people for their approval—nosirreebob, don’t think for a second that all this gets done in the blink of an eye.

Getting your music out there to the public, whatever genre you may be working in, is in fact a long, laborious, painstaking process, involving a whole lot of gears that have to mesh before anything happens, IF it happens. There’s a blue million ways it can all fall apart and come to naught, too.

On the upside, though, the day when you finally do get your hands on that first CD and rush down to your favorite watering hole to show off the long-awaited fruits of your labor to all your friends is a frabjous one indeed. All the horizonless hours of frustration, weariness, and self-doubt wash right away like dirt down a shower drain; you open that first box of what the record-label maggots, in their deadened-soul unmindfulness, refer to as “product” with your hands literally a-tremble and the hair on the back of your neck standing straight up, no fooling. There’s no feeling like it in all the world, there truly isn’t.

Updated update! Just checked out the above-referenced Breitbart piece, when what to my wondering eyes should appear but this:

“I’m going to use what God gave me to try to say the right thing. So far, the response has been positive,” Moody says. He also understands what a blessing (it is) to have his wife — Jennifer Wayne, granddaughter of the late film icon John Wayne — as an occasional writing partner.

Because of COURSE she’s the Duke’s granddaughter. A one hundred percent all-American family unit for sure and certain. Bold mine, natch.

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Try that in a small town

A tip of the CF Stetson (not that I actually HAVE one, unnerstand) to country crooner Jason Aldean, for telling it like it is.

Jason Aldean’s Rocking Country Song ‘Try That in a Small Town’ Makes Liberal Heads Explode, He Claps Back
Country music star Jason Aldean dropped a song in May, but it seems like a memo went out among the liberal press because they’re suddenly freaking out that it slams woke blue violent cities and the 2020 George Floyd riots while daring to honor gun ownership and small-town values. Ooh, can’t do that.

Here are the lyrics for the first two verses (all caps are his from his YouTube posting. Read the rest there):

SUCKER PUNCH SOMEBODY ON A SIDEWALK
CAR JACK AN OLD LADY AT A RED LIGHT
PULL A GUN ON THE OWNER OF A LIQUOR STORE
YA THINK IT’S COOL WELL ACT A FOOL IF YA LIKE
CUSS OUT A COP SPIT IN HIS FACE
STOMP ON THE FLAG AND LIGHT IT UP
YEAH YA THINK YOU’RE TOUGH

WELL TRY THAT IN A SMALL TOWN
SEE HOW FAR YA MAKE IT DOWN THE ROAD
‘ROUND HERE WE TAKE CARE OF OUR OWN
YOU CROSS THAT LINE IT WON’T TAKE LONG
FOR YOU TO FIND OUT
I RECOMMEND YOU DON’T
TRY THAT IN A SMALL TOWN

Predictably, the left has gone nuts, accusing Aldean of racism and any other of the usual buzzwords they can come up with…Aldean issued a lengthy response to critics Tuesday afternoon:

In the past 24 hours I have been accused of releasing a pro-lynching song (a song that has been out since May) and was subject to the comparison that I (direct quote) was not too pleased with the nationwide BLM protests. These references are not only meritless, but dangerous. There is not a single lyric in the song that references race or points to it- and there isn’t a single video clip that isn’t real news footage -and while I can try and respect others to have their own interpretation of a song with music- this one goes too far.

As so many pointed out, I was present at Route 91-where so many lost their lives- and our community recently suffered another heartbreaking tragedy. NO ONE, including me, wants to continue to see senseless headlines or families ripped apart.

Try That In A Small Town, for me, refers to the feeling of a community that I had growing up, where we took care of our neighbors, regardless of differences of background or belief. Because they were our neighbors, and that was above any differences. My political views have never been something I’ve hidden from, and I know that a lot of us in this Country don’t agree on how we get back to a sense of normalcy where we go at least a day without a headline that keeps us up at night. But the desire for it to- that’s what this song is about.

These days, the Left considers virtually everything they don’t like to be racist or related to White Supremacy. In my view, this rocking song is pointing out that the lawlessness happening in our big cities is simply unacceptable and un-American, and owning a firearm is a First Amendment right. And guess what, folks—he’s allowed to like small-town living; it isn’t a crime.

Well, not yet, anyway. There’s a vid of Aldean’s instant classic at the link if you’re so inclined. Not being a fan of contemporary rock-flavored country music myself it really isn’t my cup of tea, but as always YMMV. What the hell, anything that makes Sniveling Shitlibs weep and wail so lugubriously is a-okay with moi.

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Tucker on top

Of his game, and the world as well. Just watch the vid and then tell me this guy isn’t having the time of his life.


Now THAT is one happy man right there. Whodathunkit, eh? Turns out being unceremoniously and gracelessly dumped by the shitlibs at now-faltering Faux News was the best thing that ever happened to him. Good as he always was before, it’s become a real joy to watch the new Tucker Unchained. Good for you, Tucker, you deserve it.

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Saw it coming from fourteen years away

Derb looks back in bitter schadenfreude.

Back in 2009, I published a book, We Are Doomed.

The subtitle was Reclaiming Conservative Pessimism. And I was pointing out to American Conservatives that they weren’t succeeding in anything because they had been too optimistic; and that the proper stance for a philosophical conservative is a careful pessimism.

So now, 14 years on, I want to discuss the question: in what direction have we gone since I published that book?

As we all know only too well, the answer to that question is grim indeed: straight down the crapper.

Follows, John takes what he calls “a quick canter through the last 14 years of our Cultural Revolution” which demonstrates that the man isn’t just a visionary, he’s a full-on fucking prophet. The issues are addressed according to the book’s chapter titles: Culture, Sex, Education, War, Immigration, and so on, well-aimed salvos on not a single one of which he missed his mark.

From the Diversity section, which holds that the real problem isn’t necessarily with “diversity” itself, rather with the preposterous surfeit of it the maniacal Left has studiously rammed down Real American throats in recent years.

I’m personally, a “salt in the stew” diversitiphile. I like a little diversity.

I grew up in mid-20th century England. The guy who sold us ice cream was an Italian!

And one of the girls in our class was Scottish, which we thought was very exotic. She had a Scottish accent.

And then, when I was in my teens, we got our first Chinese restaurant! And that was good too.

But it was salt in the stew. A little bit of salt spices up the stew. But you really don’t want to dump a whole bag of salt into your stew.

Which is what we seem to want to do.

Well, actually, it’s what some of us want to force the rest of us to do, more like.

(Via WRSA)

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“Stop embarrassing your ancestors”

Matt Bracken, being the helpful, big-hearted sort of guy he is—what can I say, he’s a giver—has provided a Gab transcription of a golden Emerald Robinson Twitter thread, which kicks off here.

Bracken Em Robinson

Boils it all down pretty nicely, I’d say. Thanks for all you do, Matt.

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OHPLEASEPLEASEPLEASEPLEASEPLEASE…

Is the day I’ve so long awaited, when shitlibs finally stop talking and start putting their money where their big flapping yaps are and just COME AND TAKE THEM ALREADY about to dawn at long, long last?


Here’s a promise, and it’s flat and subject to no negotiation or compromise of any kind: I will personally shoot in the head any left-wing private citizen who shows up on my doorstep demanding I allow him/her/it to confiscate my guns, or attempts to detain me in any way in the course of same. That’s my pledge to you, shitlibs.

You got one hell of a lot to learn about 2A people, Libtards, and very little time left in which to learn it. At least at MY house if noplace else, your gun-grabbing insanity is not going to work out for you quite the way you foolishly imagine. So be it, then. The die is cast, the sides chosen, the lines of battle drawn. Let’s get this party started!

Divemedic’s response is equally apropos, if a little more concise than my own.

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MOAR NUKES, PLEASE!

Stat.

During the recent power outages and denial of interweb service, I took up reading a book I picked up a while back on a subject I have always had questions: The Case for Nukes: How We Can Beat Global Warming and Create a Free, Open, and Magnificent Future by Robert Zubrin (Polaris Books 2023). It’s a very thoughtful argument that debunks the toxic falsehoods that have been spread to dissuade us from using it by the ignorant, the fearful, and the fanatical from returning to the use of Nuclear power as a remedy to our festering Twenty First Century problems. Here’s a quick synopsis of what I culled from his book.

In a very literal sense, energy technologies have molded humanity. The invention of cooking with fire by those small brained Homo Habilis dudes cut the metabolic energy needed to digest meat, making it safer to consume and allowing the primates to eat more small animals or their enemies. Evolution directed some of these surplus calories to their brains, enabling the hungry organ to grow in size and ability, leading to the industrious little guys, Homo Erectus, the forerunner (to) us, the Bozo Sapien.

Over the millennia, humans learned to harness fire to smoke meats, craft pottery, bend metal, and more, forming much of the material basis of the pre-fossil fuel world. Wood power (or what is now called “biomass”) was such a good deal that parts of Europe started running out of forests in the 1700s. Britain was the first nation to innovate itself out of this dilemma, which they did by burning coal.

Mastering coal and other fossil fuels prevented energy scarcity, but also led to an unforeseen revolution in human life. Synthetic fertilizer, electricity, cars, plastics, smart phones, x-rays, ChatGPT—nearly all elements of modern life—exist because of fossil fuels. Today billions of people enjoy a prosperity that would be unimaginable to their ancestors.

This history of energy begins The Case for Nukes. Robert Zubrin, an American aerospace engineer of three decades tells the history of energy to set the stage for one of his core arguments, that humanity should use more energy. Over 700 million people languish in extreme poverty today and billions have not reached a standard of living equivalent to that of a developed country.

In contrast, radical environmentalists urge people to use less energy, which they believe is necessary to avert climate and ecological apocalypse. Zubrin contends that slashing energy use would be so harmful as to be borderline genocidal, but he does recognizes that the environmental harms of fossil fuels are unsustainable. Thus he endorses nuclear energy, asserting that only atomic energy can lift all people out of poverty while conserving the environment.

The fabulously talented and visually stunning Diogenes Sarcastica™ closes her post by gleefully declaring, “I say let’s start smashing some fucking atoms and keep the lights on,” a proposal with which I must enthusiastically agree; by gum, those fucking atoms have it coming. Before that beautiful, beautiful dream can hope to become a reality, though, it will be necessary to dispense with a great many Luddite shitlibs, which requirement I consider to be more plus than minus—a side benefit, shall we say, making the whole thing a win-win for everyone that matters.

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Slapback

Mo’ bettah fallout from Tucker’s interview with Russell Brand, previously covered here.

Tucker Carlson: Entire American media, including Fox News, lying about Jan. 6
Jan. 6, 2021 “was not an insurrection. It was not armed, and its purpose was not an attempt to overthrow the U.S. government,” Tucker Carlson said in his first interview since leaving Fox News.

While major media continue to push the “deadly insurrection” narrative, Carlson said in an interview with Russell Brand on Friday that “the more time passed, it’s now been two and a half years, it becomes really obvious that core claims they made about January 6 were lies.”

Carlson went on to say: “The amount of lying around January 6th, and it was obvious in the tapes that I showed, is really distressing. And anyone who is covering for those lies should be ashamed of themself. And that would include almost the entire American Media, including Fox News.”

Carlson said there “were people at Fox News” who were angry at him for airing the video from Jan. 6 that was released to his staff by House Speaker Kevin McCarthy.

“If you think I’m cherry picking, taking it out of context, show me where,” Carlson added.

Included in the video that Carlson aired prior to his firing by Fox News was that of the so-called “Q Anon Shaman” Jacob Chansley. Chansley was sentenced to prison after essentially being escorted by police through the Capitol as if he were a VIP tourist, Carlson told Brand. “To put Jacob Chansley, an American citizen, a Navy veteran, in jail for years after he was let into the Senate chamber by uniformed Capitol Hill police officers and then I play that and I’m the bad guy?”

Well, I mean, DUH, Tucker. To the Swamp-state Powers That Be—Uniparty politicos, FedGovCo bureaucreeps, thug Stasi agents both federal and local, Enemedia—who all have an obvious vested interest in keeping the phonus-balonus J6 narrative alive and kicking and the truth about it dead and deeply buried, you ARE the bad guy. Take it for the badge of honor and backasswards compliment it actually is; it’s in no way a bad thing to have the very worst of the worst aligned against you.

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CF Glossary

ProPol: Professional Politician

Vichy GOPe: Putative "Republicans" who talk a great game but never can seem to find a hill they consider worth dying on; Quislings, Petains, Benedicts, backstabbers, fake phony frauds

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Mordor On The Potomac: Washington, DC

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