GIVE TIL IT HURTS!

“The Ultimate Party Animal”

I love this story so much it hurts. I mean, physically hurts.

Who is Cocaine Bear? Kentucky legend is being made into a movie directed by Elizabeth Banks

See what I mean? Right out of the gate, you just know it’s going to be good.

Though it died in Georgia, the real-life cocaine bear gained notoriety in death and has become a legend of the kind that only Kentucky could produce.

“The real-life cocaine bear.” Pardon me while I savor the flavor of a phrase I never for a moment dreamed I would ever get the opportunity to type.

The bear was the victim of a fatal overdose that occurred when it ate a cache of cocaine that Andrew Thornton, a former Lexington narcotics officer turned drug smuggler, threw out over North Georgia.

Thornton was carrying $15 million in cocaine when he died parachuting out of a plane over Knoxville in September 1985. That saga is chronicled in Sally Denton’s 1989 book, “The Bluegrass Conspiracy.”

Tally so far: a drug cop gone bent. Death by skydiving. Gunny sacks of go-powder scattered across hill and dale. A fiending ursine who tragically succumbs to the killing combination of curiosity, incaution, and overindulgence, leading to posthumous fame and glory as a beloved wildlife icon.

Most anybody would find the story so far absorbing enough to establish it, as described by the author of the above report, as a bona fide saga. I can’t imagine any reasonable soul feeling shortchanged if it ended right there.

Incredibly, though, that was only the beginning.

The 175-pound bear’s body was found several months after Thornton’s and preserved with taxidermy. It was passed among various owners until it eventually was acquired by the operators of Lexington-based retailer Kentucky for Kentucky.

A kooky television ad featuring the bear, which has been dubbed Pablo Escobear, made headlines five years ago.

And Escobear is still enjoying fame.

Pablo Escobear. Heh. I dunno, I think I still prefer Cocaine Bear. Hold onto your hats, though; this epic tale is just getting off the ground.

Last month, Kentucky for Kentucky debuted a new mug design featuring the bear’s image. It reads, “Bluegrass Conspiracy’s Cocaine Bear The Ultimate Party Animal.”

The “Cocaine Bear” movie, written by Jimmy Warden, will be produced by Phil Lord and Chris Miller along with Banks and Max Handelman’s Brownstone Productions, Deadline reported.

Banks, Lord and Miller teamed up previously on “The Lego Movie” series. Banks most recently directed the 2019 “Charlie’s Angels” film.

According to The Hollywood Reporter, filming for “Cocaine Bear” could begin this summer.

Universal is backing the flick, in one of the most astute moves seen out of faltering Follywood in recent memory. Reading the above, one marvels that a movie hasn’t already been made; I mean c’mon man! Whatever might the movers and shakers in the world of feature film be thinking, letting a sure-fire blockbuster like this skate right by unnoticed for so long? But hey, late is better than never, I guess.

So does this report provide a pic of Cocaine Bear’s preserved corpus enjoying its enshrinement at Lexington’s Kentucky Fun Mall, you ask?

Ohhh, you just better bet it does.

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I repeat: EPIC. All hail thee, dear Cocaine Bear! Forever may your memory be treasured. And may the cinematic chronicle of your unjust fate do truly boffo box office.

(Via Ed Driscoll)

Mega-megadittoes

Bill says it’s the finest Rush memorial he’s seen yet, and he ain’t wrong about that.

If you’re a showman – and Rush was that above all else – they say that it’s best to go out on top. And he did, just at the moment when it became apparent that the approach to politics that he championed his whole life won’t be enough to save us; that superior arguments won’t win the day and that we’re not going to vote our way out of this. That he left the stage at precisely the right point so it could honestly be said that he never became irrelevant is perhaps the one small consolation that can be found within this. The future will always be able to look back on him and say: “He was a man of his time”. Yes, his time has passed, as it does for all men. But if we are to look back now and evaluate what he meant, it can only fairly be in the context of those times.

A common sentiment heard from callers in the early days of Rush’s show was that before they found him, they had no idea that anyone out there thought the same way they did. This shows how powerful the left’s stranglehold on public discourse was back then, and the importance of his having singlehandedly broken it. Causing one’s enemy to feel isolated, alone, and out-of-step with the society around them is a powerful weapon of demoralization, and breaking through that to offer a sense of community, even if only through the airwaves, is massively empowering. Beyond this, Rush brought a sense of fun to being on the right, perhaps for the first time ever. He mocked liberals at a time when it was assumed by all that this was a tool to which liberals alone had exclusive rights. He laughed at them, and his audience laughed along with him. This is a deeply underestimated strategy – people like to laugh; they like to have fun. It is something that the left has forgotten in the age of the dour, hectoring SJW. It is something that, other than at the height of the Meme Era that surrounded Donald Trump’s 2016 campaign, the modern right forgets all too often as well. But it should never be overlooked, and very much of Rush’s success and his political and cultural impact relied on the fact that he didn’t. Perhaps most importantly, he never backed down from his beliefs; he never seemed ashamed of them or felt the need to qualify them with endless disclaimers explaining how he was really a good person despite them. Simply being confident and proud in those beliefs inspired millions of others to do the same.

Of course, he couldn’t ever have gone with us as far as it now seems that we’ll need to go. But this was not a symptom of any lack of courage; it was only a reflection of the hold that the America in which he was born had on him, and of how far we have fallen from it in just one lifetime. To the end, Rush was a genuine “Shining City on a Hill” believer; the kind that not only thought that America was unreservedly good at its core, but that its empire was the only thing keeping the world from falling into tyranny and chaos. That’s a belief that most of us on this end of the right, if we ever held it at all, gave up on around 2006, but that seemed manifestly true for someone who grew up in a stable, prosperous America in the years directly following World War II, and whose only frame of reference was the comparison to Nazism or Communism. Even his support for the disastrous wars of the Bush era, which continued long after it was obvious that they had been a terrible mistake (this was the only point at which I found his show unlistenable, and had to take some time away from it) were based in an unshakable faith that the American way of life was the best in the world, and that everyone would want to live that way if they were only given a chance to. There is a temptation for a man of today’s Dissident Right to sneer at this, and in a 21st century context, it might be justified, but it also must be remembered that the America that Rush had in mind was eternally a vision of the 1954 of his youth; a better place that you and I have never had the privilege to see. Had we seen it for ourselves, we might find it just as hard to let go of as he did.

Rush could understand that his country wasn’t what it used to be, but couldn’t allow himself to believe that it would never again be what it had once been. That’s a dream that can only die hard; one that anyone would hold onto for as long as they could. It only really became undeniable that it was gone for good in the very closing moments of his life, and it is perhaps for the best that he essentially died with it. In a way, I wish he hadn’t been here to see the past few months, and in a way, I’m happy he won’t be here to see what comes next. It would break his heart. It breaks mine. I would love to have personally seen the Shining City that he saw, and would love to believe that it can be restored someday. But just as he was a man of a time that I never could live in, I must be a man of a time that he cannot live in, and I must face its realities.

A guaranteed stinkeroo of a task for sure, as unpleasant as the realities of this time and place most definitely are. All in all, I’d say Rush got out when the gettin’ was still good, and was lucky he did too.

His span of knowledge was broader than just politics

Just another example of Limbaugh’s hateful racism, I guess.

Ladies and gentlemen, I was 16; I was just starting to work in radio when Aretha Franklin bopped on the scene. I was telling Snerdley, “Everybody’s calling her the Queen of Soul,” and there’s no doubt she was. I think that doesn’t go nearly far enough in describing Aretha Franklin, who she was and what she did, her talents and so forth. She was soul, there was no question. She defined it. Well, she and James Brown, who was the Godfather of Soul. James Brown was the Ambassador of Soul. He wasn’t just the godfather; he was the ambassador.

Her talent, her abilities, the range of music she could sing. There’s something else that I think we need to remember and kind of remain in awe of. Aretha Franklin, after having moved there, was from Detroit. There’s a little neighborhood in Detroit that an entrepreneur turned into one of the most powerful, one of the most identifiable, one of the most amazing music industry stories there has ever been. His name was Berry Gordy, and he did Motown. And there were two houses.

If you ever go to Detroit, you gotta drive by these two houses. That was Motown, where the recording studios were. In fact, the Motown artists thought that one of them was better than the other, and as time went on some of the acts only wanted to record in one of those studios because they felt that the sound was just better there, acoustics and everything else. But stop and think of it. You had the Four Tops. You had Gladys Knight & The Pips. You had The Supremes. You had Smokey Robinson. You had Diana Ross.

You had later on the Jackson Five, Marvin Gaye, the Marvelettes… (interruption) No, no. No. What was her name? City Council Detroit, yeah. Martha Reeves and the Vandellas, all in one neighborhood in Detroit, and that’s where Aretha was. She didn’t go with Motown. She went with Atlantic. She was wooed by the great Atlantic executive Ahmet Ertegun, and he signed her to Atlantic, and Gordy had all these other people.

But it’s just amazing, and that’s where Aretha Franklin came from. She stood above. It’s hard to say, but she stood above all of it. It is the quintessential American story, Aretha Franklin, and the impact she had, the reach she had, the talent and so forth. So, yeah, she was the Queen of Soul. But, to me, I mean, everywhere you turn in the media, “Queen of Soul, Aretha Franklin” it seems not enough. It’s like “right-wing talk show host Rush Limbaugh.’ That’s not enough. It doesn’t get anywhere near describing what I do, does it?

No Rush, it really, really doesn’t, bless your great big heart. El Rushbo’s heartfelt gushing over Queen Aretha provides me an opportunity to present one of the best of her many stellar performances, for which I thank him.



The Blues Brothers got a pretty tepid reaction when it was first released, from those critics whose reviews weren’t just downright cruel about it. I didn’t agree then, and don’t agree now; I thought it was great. The film was full to bursting with some truly wonderful music, enhanced by Aykroyd and Belushi’s refusal to hog the spotlight for themselves. Their humility is to their eternal credit. Think of it: at the very height of their fame—which necessarily implies the egotism that accompanies it—these boys were still respectful enough, sincere enough, big enough fans, to step back and allow some of their favorite blue stars to really shine.

RIP Rush Limbaugh

Someone who understood that, once in a great while, it really is possible for a single individual to change the world—understood better than most, because he did it himself.

Before Rush, talk radio was different. Talk radio was about cotton-candy issues.  Larry King on the Mutual Broadcast Network hosted an overnight parade of callers talking about pets, childhood memories, landscaping, and just how they were doing. Scores of local talk show hosts – like Perry Marshall at KDKA in Pittsburgh – entertained with friendly chat, the sweet cotton candy that dissolves away quick into meaninglessness.

That was radio B.R. – Before Rush.

To exactly no one’s surprise, the Compassionate, Caring Left™ responded with their usual subhuman, barely-sentient cruelty.

After news broke that conservative talk show giant Rush Limbaugh had died at age 70 on Wednesday, many on the Left took to trashing Limbaugh and celebrating his death. Many on Twitter expressed ill-wishes, hoping Limbaugh would “rest in piss.” Many prominent celebrities shared fabricated quotes falsely attributed to Rush Limbaugh or took his remarks out of context to condemn him.

Because of course they did; this is who they are, this is what they do, and I see no need to belabor that more than obvious point. There’s a different one to be made here, a far more worthwhile one, which I’ll preface with this ostensibly more “reasonable” response:

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No, you lying, sniveling pussy, what Limbaugh actually attacked was Leftism. Which brings us to the bottom line:

THERE IS NO LONGER ANY REASON WHATSOEVER FOR NORMAL AMERICANS TO TREAT THESE VICIOUS ANIMALS KINDLY, FAIRLY, OR RESPECTFULLY, NOR TO ACT AS IF THEIR OPINIONS MATTER IN THE LEAST.

Sympathy? Restraint? For them? Not on your life. Their own unrestrained hatred and vileness must be returned tenfold. The war against them must be acknowledged and waged as war to the knife—real, existential, and morally just.

All fretting over “becoming more like them” or “taking the high road” from our side must now be abandoned. There is no longer any need for analyzing or genteely discussing such matters; there is no longer any question about them. Ugliness and evil must be reflected directly back, in fullest intensity, at the twisted goblins who weaponized them for political use—the tools of tyranny—lest the righteous find themselves overwhelmed. Those who fail to recognize this demonic Enemy for who and what he is, or are too fastidious to do everything necessary to ensure his destruction, will surely perish.

I decided long years ago—I think it was the frabjous day that the odious Ted Kennedy assumed room temperature, maybe—that I would no longer express anything but my truest feelings on the passing of such filthy scum. Never again will I feign grief or sadness when some cancerous Lefty boil on the ass of humanity is finally removed from this world. Their rightful place is in Hell, in the presence of the Master they were always so eager to serve. So when such a one shuffles off this mortal coil at long, long last to receive his eternal due, is there anybody who could seriously argue that his departure from our midst ought to be regarded as some kind of loss? When decent men contort themselves to heap empty, false praise upon the death of lesser sorts whose corruption, moral bankruptcy, and contempt for justice is well known, does not the dishonest act, although well-intentioned, put their own eternal souls at risk? Is prostitution really the price exacted by politesse at times like this?

Speaking strictly for myself: nope, don’t think so, sorry, not gonna do it. Call me uncivil, call me uncouth, call me whatever other names you wish. This is a game I just won’t play anymore. After so many years of enduring the sordid spectacle of soulless fiends gleefully ladling shit over the memory of our dear departed the way they always do I am quite happy to return the favor, with interest compounded. If I even bother to say anything at all, that is. If that leaves me open to a charge of “sinking to their level” or some such from my more effete colleagues…well, so be it then. Don’t like it? Don’t care. Henceforth, I desire only to inflict any and every injury I can on The Enemy, crippling or trivial, and pledge not to allow a single opportunity to do so pass me by. The more he suffers, the gladder I’ll be. To hell with them, one and all. That’s all there is to it.

Now let’s leave the Left to their abominable obsequies and get back to Rush, shall we? Doc Zero says it’s a funeral for a friend:

I never got to speak to Rush Limbaugh, but he always seemed like a friend I heard from every day. He quoted my work on the air a few times, and it was a surreal delight, a joyous thing that could not possibly be happening. He helped us all become friends.

That’s the real measure of Rush’s impact. He helped so many people realize they were not alone, even as the mainstream media labored to make them feel isolated and hopeless. He understood that totalitarians overwhelm and dominate ordinary people by making them *feel* surrounded.

How often good and decent people felt isolated before Rush! They wondered why nobody could see what was so perfectly obvious to them. The secret of totalitarian success is to make ordinary people fear everyone around them is an informer or enforcer. Rush shattered that illusion.

The illusion of manufactured consensus and forced conformity never worked on Rush, not for a minute. He KNEW we were all out here, long before his ratings proved it. He gave so many others the confidence to raise their voices, knowing they were not alone.

It takes incredible talent and discipline to realize a bold vision like that. I heard him on the air not long ago, and thought he sounded great, as if time had not touched the voice I first heard over 30 years ago. Someone had to do what he did, but not just anyone COULD have.

And now the Internet will be filled with ugly cries of triumph from the howling darkness Rush spent his life opposing… proving him right once again, one more time. They’re still dangerous, but they aren’t scary any more, not after Rush spent all those years mocking them.

We all lost a great friend in Rush Limbaugh today, but he showed us how many friends we really have, across this nation and many others. We are one less, but because of him, we will never again fear we are alone. One voice is stilled, but there will never again be silence.

We can only hope not. Even so, it’s hard to imagine who could possibly fill his shoes. Whatever comes next, the struggle will go on. Klavan recommends defiance as the proper way to honor Limbaugh’s memory:

How could I not be delighted at the fear and loathing he inspired in the great and good? During my long absence from America, the great and good had become such smug, small-minded, and provincial little people, it was a guilty pleasure to watch them writhe on the flame he lit beneath them. For decades, feminists had called men “pigs.” Now Rush called them “feminazis,” and they threw their aprons over their faces and sobbed about his lack of civility. For decades, race-mongers had blamed an innocent generation of whites for a history that they hadn’t made, and now Rush mocked the mongers with wicked impressions, and declared it was time for black Americans to get on board the freedom train with their white fellow citizens.

It was beautiful. Courageous. The kind of radio magic I’d grown up with. And it changed me, or at least helped me change. Rush gave a joyful voice to the new thoughts I didn’t even know I’d had.

I do not cry for dead celebrities. I have just enough tears for the people I know and love. But I choked up when I heard that Rush had left the studio. He was silenced just at the moment when the elite and powerful would silence us all. Our politicians seek to demonize half the nation—Rush’s half. Our news media calls for censorship. Tech billionaires sit on their mountains of gold and gesture like foppish princes to tell us who shall speak and who shall not.

Let us defy them, then. Let us all speak, and fearlessly. Let that be Rush’s monument. In a way, he built it himself.

Seconded, heartily. In his brief post, Michael Walsh offers similar advice:

A great man died today: Rush Limbaugh was 70. He was perceptive on many social and political issues, including the ludicrous claims on the Left that human beings are causing “global warming” or “climate change,” when in fact the “crisis” was and remains simply another “progressive” path to power and domination — “a political movement disguised as science.”

A notion that carbon-based life forms (us) are destroying the planet (ours) by means of carbon emissions is profoundly anti-human. Rush’s greatest legacy may well turn out to be how accurately he exposed them and their malignant misanthropy on this and many other subjects. Let us never forget his lessons and continue to face down the enemies within with humor, wit, intelligence and, above all, courage.

Above even that, let our perception of the Enemy be clear-eyed; let us neither shirk nor flinch from whatever our sacred duty to defend liberty may demand of us, no matter how daunting or distasteful. Let our resolve in the face of the Enemy be as steel, our hearts as ice. Let us be unstinting and implacable in the pursuit of victory—uncompromised victory, unambiguous victory, TOTAL victory. Let us be fully aware that anything short of it would be tantamount to defeat, therefore unacceptable.

Elsewhere, Steyn’s compelling tribute might be the perfect closer, so I’ll excerpt liberally from it even as I also insist that you read every word of it.

It is with profound sadness that we announce the death of Rush Limbaugh, a giant of American broadcasting, a uniquely talented performer, and a hugely generous man to whom I owe almost everything.

One man doing what he wanted to do saved an entire medium – AM radio – and turned all its old rules upside down: Traditionally, morning drive is your big audience, and everything tapers off from there. Rush figured that everyone needs a local guy at that time, with traffic and weather updates, and that the opportunity to build a national show lay in the hitherto somnolent slot of noon-to-three Eastern/nine-to-twelve Pacific. And within a couple of years hundreds of stations were building the entire schedule around the midday guy. In the scheme of things, I am not sure how many of those stations will be able to keep that going without him.

Powerful politicians and longtime fans were often surprised, upon meeting him, to find a man who was quite private and indeed shy – because, like many radio guys, he had no desire to have a public persona other than at the microphone. Unlike so many others in this business, Rush was hugely generous and totally secure. Unlike other shows of left and right, where the staff come and go every six weeks, everyone at the EIB Network has been there fifteen, twenty, thirty years. That includes, in a very peripheral way, yours truly. When I first started guest-hosting, I found it odd that, on the rare occasions Rush mentioned the subs, it would be to put them down. Because, I mean, who would do that? But Rush is the least insecure star on the planet, and I came to see that he was actually teaching the neophytes a very important lesson: You guys need to be completely secure too – because it’s the only way to survive in this wretched media. I came to appreciate that being put down by Rush was actually a far greater compliment than him doing some boilerplate hey-he’s-a-great-guy shtick. And one of the saddest days of my fifteen years with EIB was when I heard Rush a few months back expressing genuine, sincere gratitude for something I’d said about him a few days earlier. As I pleaded on air, I just wanted the old Rush back scoffing at his guest-hosts – so we’d know all was well in the world.

I have come to admire him even more this last year. When he announced his diagnosis, we all knew this story only has one ending, and it’s just a question of how many chapters there are leading up to it. Rush loved what he did more than anything in life except his family. He had no interest in going to Tahiti to watch the sunset. He wanted to be behind the Golden EIB Microphone every day that he could. So initially he took a couple of days off every three weeks for treatment, and then the two days became four, and the treatment weeks took their toll and spilled into the following week. But, through it all, he remained determined to do every single show he could – because, aside from anything else, he wanted to make sure he, his listeners, his brand, his stations did everything they could to put President Trump across the finish line on November 3rd.

Events didn’t quite turn out the way he wanted – although they might have if more people had worked as hard as a man ravaged by Stage IV cancer did, in defiance of his doctors’ prognostications. The last three months, when he and Kathryn had surely earned those Tahitian sunsets, took a terrible toll. But he stayed on the air until just a fortnight ago – because above all he wanted to keep faith with tens of millions of listeners, many of whom had been listening to him their entire lives and could not imagine a world without him.

We are about to find out.

We are at that, and it promises to be neither pleasant nor pretty.

In a sense, it’s fitting that Rush leaves us even as the light of America That Was has been dimmed, if not extinguished outright. One can easily imagine how deeply the unprecedented events over the last year must have troubled him, how painfully they wounded him as he witnessed his beloved country wantonly savaged by audacious but wholly witless fanatics. The Shadow, expanding as it descends, is a drain on the spirit of the strong and weak alike, until it finally devours all.

In his post title, Steyn calls Rush The Indispensable Man, and that he indubitably was. Although I haven’t listened to him much over recent years, there’s no gainsaying his impact, and we can all expect the impact of his loss to be no less momentous. Conservatism as we know it today would simply not exist without Rush Limbaugh. As he singlehandedly revived the dying medium of AM radio, so it was with conservatism itself. Love him or hate him, he was and will ever remain not merely “The Big Voice on the Right,” as he dubbed himself with the bombastic yet slyly facetious overstatement so characteristic of the man. In reality, his voice was The Biggest.

If that ain’t indispensable, I don’t know what is. Be at peace, Rush. You will be sorely, sorely missed.

Update! Several good reminiscences from reformed liberals on their conversion from darkness to light, starting with the valiant, much-lamented warrior Andrew Breitbart.

One day I asked [my future father-in-law Orson Bean] why he had Rush Limbaugh’s book The Way Things Ought to Be on his shelf. I asked him, “Why would you have a book by this guy?”

And Orson said, “Have you ever listened to him?”

I said yes, of course, even though I never had. I was convinced to the core of my being that Rush Limbaugh was a Nazi, anti-black, anti-Jewish, and anti-all things decent. Without berating me for disagreeing with him, Orson simply suggested that I listen to him again.

This is where my rendezvous with destiny begins.

I turned on KFI 640 AM to listen to evil personified from 9 a.m. to noon. Indeed, my goal was to derive pleasure from the degree of evil I found in Rush Limbaugh. I was looking forward to a jovial discussion with Orson to confirm how right I was. One hour turned into three. One listening session into a week’s worth. And next thing I knew, I was starting to doubt my preprogrammed self. I was still a Democrat. I was still a liberal.

But after listening for months while putting thousands of miles on my car, I couldn’t believe that I once thought this man was a Nazi or anything else. While I couldn’t yet accept the premise that he was speaking my language, I marveled at how he could take a breaking news story and offer an entertaining and clear analysis that was like nothing I had ever seen on television, especially the Sunday morning shows, which had been my previous one-stop shop for political opinions.

Most important, though, Limbaugh, like the professor I always wanted but never had the privilege to study under, created a vivid mental picture of the architecture of a world that I resided in but couldn’t see completely: the Democrat-Media Complex. Embedded in Limbaugh’s analysis of politics was always a tandem discussion on the media. Each segment relentlessly pointed to collusion between the media and the Democratic Party. If the Clarence Thomas hearings showed me that something was wrong, the ensuing years of listening to Limbaugh and Dennis Prager — who at the time was also undergoing a political transformation from the Democratic to the Republican Party — explained to me with eerie precision what exactly was wrong. I swallowed hard and conceded to Orson that he was right.

It takes great courage, strength, and humility to swallow one’s pride, admit error, and redirect oneself towards the path of wisdom. Not everybody possesses those gifts; hardly any Leftists do, which helps to explain the extraordinary vehemence and frenzy fueling the ritualistic denunciation of former comrades who reject their previous Progtard beliefs for conservatism. Another:

It was 1992, and I was on vacation in Dallas, Texas. I had literally escaped Los Angeles after riots had broken out, but that’s a story for another time. My friend, who is an airline pilot, told me about this great new radio program called The Rush Limbaugh Show, and since I was a passenger in his car I got a chance to listen in. This Rush Limbaugh guy was kind of funny, but a little too bombastic for my then-moderate tastes. So, once I returned to California, I dismissed the show from my mind.

In 1995, I had a roommate who I couldn’t stand, and she was a Dittohead. Rush Limbaugh was in the last year of his television show, so she watched it religiously. I thought it was a bit cultish and, coupled with my disdain for this particular roommate, I decided that if she liked it, then it wasn’t for me. So, I once again dismissed the show.

Fast forward to 2007. I had a hella long commute to work, and since my very new husband at the time listened to talk radio, I decided to give that a try to get me through the miles, and give us another point of commonality to share. Guess who happened to be on during the time I was on the road? the one and only Rush Limbaugh.

Maybe it was the ability to listen to the entire show, but this time, I was drawn in. Rush’s distribution company Clear Channel Communications had just received a censure letter from Senate Majority Leader Harry Reid, lambasting Rush for criticizing U.S. troops who were against the war in Iraq, calling them “phony soldiers.” What ensued, with Rush auctioning off the letter to charity for $2.1 million dollars, was the ultimate troll, and extremely savage. Rush gave zero f**ks about it and flipped the script by doing some good for a worthy cause while handing the evil Harry Reid his ass.

From that moment on I was hooked, and listened regularly.

Rush was indeed unique in his ability to persuade, as well as his near-uncanny insight into the effectiveness of humor to get his ideas across. But there’s another essential ingredient in the Limbaugh formula for success, maybe the most important of them all. And somehow, despite their self-proclaimed intellectual superiority, it’s always been beyond the comprehension of Lefty Limbaugh-haters.

Rush’s critics always… always misunderstood him. Maybe it was purposeful. Rush’s critics always depicted him as an angry flame-thrower ranting into his microphone and giving marching orders to his army of ignorant, brainwashed minions.

They couldn’t be more wrong about all of that.

Rush was always smiling… and he was always funny. And he wasn’t giving us marching orders by telling us what to think. It was, in fact, the very opposite.

Rush wasn’t telling us what to think; he was articulating what we already believed. He was just the first to come along and respect us for our views, told us he shared them, and then he used his talents (on loan from God) to crystalize those ideas and articulate them in a clever, succinct, and entertaining way. And…never forget this…he was communicating those ideas on our behalf.

He was there for us. Not to tell us what to think but to help us articulate what we believed and remind us that we are not alone. And he did that in a very personal way.

Precisely. It’s so simple and obvious only a liberal could be unable to grasp it. It’s hopeless, I know, but what the hell. I’ll explain it one more time.

See, some might wave away Rush’s astounding and prolonged success as a matter of sheer dumb luck or, slightly more charitably, fortuitous timing. I think that’s dubious at best. Rush had a huge audience already in place just waiting for someone like him to come along. Millions of put-upon Americans, traditionally revered as the very heart, soul, and backbone of their nation, suddenly scorned as disgusting, bigoted ignoramuses—undeserving beneficiaries of a commodious lifestyle made possible only by the systematic exploitation and abuse of blameless foreigners. From salt of the earth to scum of the earth, in what must have felt like no more than the blink of an eye.

So here’s Normie Joe Sixpack, having had a bellyful of being defamed, denounced, and socially disenfranchised for crimes he never committed at the (soft) hands of mollycoddled ingrates who parasitically enjoyed the fruits produced by Joe’s hard work and ever-stiffening taxes. Then he happens upon a fella on the radio one fine day who not only professes the same beliefs as him, but is doing so with pride, passion, and eloquence. Can you even imagine what that unlooked-for discovery must have felt like to bewildered, frustrated, increasingly pissed off ol’ Joe? It was an affirmation long overdue, and well-earned. How could poor Joe reasonably be expected not to respond with jubilation, rewarding this newfound champion with undying loyalty and affection for their against-all-odds liberation?

Note: If this doesn’t remind you of the response bestowed on a certain outsider President (himself criminally harried from office by the same Lefty hellhounds persecuting poor Normie Joe) for a like affirmation, you should see a doctor to have yourself tested for latent Libtard Syndrome without delay, before your affliction can metastasize and reach its final, incurable stage. The good news is that a significant percentage of the population enjoys a powerful natural resistance to infection; for reasons not yet understood, those with higher levels of intelligence and self-respect have nothing to fear from this mysterious and deadly disease. For the unfortunate percentage who do contract it, LS is known to be one hundred percent fatal to reason, happiness, and mental stability in the briefest of intervals following the onset of frank symptoms. It is nothing to be messing around with.

Anyways. Evidence abounds supporting the contention that Rush was well aware of his potential audience, and of what that might mean for his own prospects, and his country’s. Not to imply that he cynically exploited that knowledge solely for his own enrichment; far from it. Limbaugh still faced years of toil, skepticism, and overt opposition from within his own industry, which I’m sure he also knew. It’s to his eternal credit that he didn’t let the obstacles daunt or dissuade him, readily accepting the challenge to eventually win through via dogged determination; an unshakable faith in his talent, his audience, and his message; and a lifelong ambition to carve out a career for himself in the broadcast-radio industry he so passionately loved.

It sounds like a horrible thing to say, but it’s kind of a shame Rush’s death had to come during the chaotic, floundering rein of an Enemy regime composed entirely of traitors mindlessly hostile to absolutely every principle he stood for. Trump would have seen to it that this profoundly consequential patriot’s legacy was honored as it ought to be, the grief of his admirers respected instead of ignored. But regardless of the indifference that is the very best we can hope for from the illegitimate BaiDing-Harris junta, I’d bet Rush Limbaugh’s funeral is going to be as unforgettable as the man himself was.

So fuck all the haters anyhow. Who cares? There’s not a damned thing they can do to prevent Real Americans from paying their last respects to a truly extraordinary man who was truly one of their own, and proud to be. Maybe the incandescent rage sparked by their own impotence will cause a few of them to keel over dead from a stroke or something. Let them fume, let them shriek, let them hate; the hatred of a scoundrel is an honorable man’s reward. The MahaRushi will be fondly remembered long after the pathetic Stumblebum In Thief and all his works have been forgotten. Rush Limbaugh’s inspiring legacy of achievement and uplift will forever eclipse the usurper Biden’s disgraceful record of corruption, self-regard, and insignificance.

RIP Christopher Plummer

An obit in the mufti of another stellar SteynMusic post.

This week’s song comes by way of multiple requests. Christopher Plummer died on Friday, after three-quarters of a century as an acclaimed actor. That’s to say, his first great turn was as a seventeen-year-old Mr Darcy in the 1946 Montreal High School production of Pride and Prejudice, a performance which was sufficiently striking to catch the eye of the Montreal Gazette‘s drama critic, Herbert Whittaker. Master Plummer was born into a distinguished lineage – the great-grandson of Canada’s third prime minister Sir John Abbott and a cousin of Nigel Bruce (Watson to Basil Rathbone’s Holmes) – and was thinking of becoming a concert pianist until he saw Olivier in Henry V. On screen, he had perhaps the most spectacular final decade of any veteran actor, becoming the oldest Oscar winner at the age of eighty-two for Beginners, and indeed, as Steve Sailer points out, earning almost half of all the Best Supporting Actor nominations ever given to octogenarians. A year ago, alas, his very last film, Knives Out, completely wasted his talents.

And yet, and yet… As he had known for over half-a-century, the very first line of every single TV and radio obit would be that he was the guy who played Captain von Trapp in The Sound of Music. In the only contact I had with him, back in the Nineties, he was mature enough to appreciate that it was the film that made him a global star but also sufficiently irked to bemoan that he was most famous for an anomaly rather than for what he did, brilliantly, for seven decades. Sure enough, on Friday’s news bulletins, the anchors announced his passing and there’d be a little clip of him, with his guitar, warbling “Edelweiss”.

The only problem is that that isn’t Christopher Plummer singing, but Bill Lee, a versatile playback singer whose voice was dubbed in for “Edelweiss” and “Something Good”. You can hear Mr Lee’s other vocal work in South PacificThe Jungle BookMary Poppins and many more.

This lovely song’s backstory is quite a good one in its own right. For one thing, “Edelweiss” was the very last lyric the legendary Oscar Hammerstein ever penned, written as he was dying from cancer.

Not for the first time, Hammerstein had done too good a job. Just as his “Ol’ Man River” for Show Boat is assumed by many to be an authentic Negro spiritual, so “Edelweiss” is assumed to be an authentic Austrian folk song. Not so. In both cases, a great craftsman manufactured them to solve a structural problem with the storytelling. But he did it so well that they have become for real what they were only intended to simulate. Some years ago “Edelweiss” was played at the White House, at a state dinner for Austria’s President Kirschschlager, and everyone but the Austrians stood up for the national anthem. Actually, no. The current Austrian anthem is “Land der Berge, Land am Strome”, and the only official anthem by Rodgers & Hammerstein is their title number for their very first show, which serves as the state song of Oklahoma. In a curious example of how the lines between reality and showbusiness blur, among the guests at that White House banquet was the elderly Maria von Trapp – not Julie Andrews, not Mary Martin, but the real Baroness von Trapp.

Hammerstein never lived to see his last lyric’s greatest success. He knew he was in pain and he figured out why (the truth about his condition had been kept from him by his partner and family; as his son William explained, “Because of the kind of person he was, and the super-positive attitude he had towards life, we decided not to tell him. Because it wouldn’t have done him any good”—M). Not long after The Sound Of Music opened, he went to see his doctor and demanded to be told the truth about his condition. That day, he had a lunch appointment with Richard Rodgers, and told his composing partner what the other man already knew. His doctor had offered him three alternatives: another operation, which would be painful and could never cure the cancer; a trip to Washington for a new experimental treatment which would also be painful and temporary; or he could do nothing except enjoy the time he had left with his family at their home in Bucks County, Pennsylvania. Rodgers asked him which option he would choose. “I’m just going down to Doylestown,” said Hammerstein, “and stay on the farm until I die.”

At the end of lunch, two sober middle-aged men rose, shook hands and parted.

Rodgers recalled that, during their conversation, they’d been interrupted by a gentleman from a few tables away. He was visiting New York from the Midwest and asked if they’d mind autographing his menu. They obliged, and he then said: “I hope you won’t mind my saying this, but one thing bothers me. You’re both extremely successful men, at the top of your profession, and I’m sure you don’t have a worry in the world. I was just wondering what could possibly make you both look so sad.”

When Hammerstein died, Theodore Bikel was on stage every night on Broadway still singing “Edelweiss”, and he noticed something about the song. “This dying man writing the very last lyric of his career,” he said, “the very last word he wrote was ‘forever’.” But a great song is forever and, almost six decades on, the last bud of the most spectacular partnership in theatre history has bloomed and grown.

As incredible as it may seem, there’s still a ton of good stuff to the story even yet, of which you will want to read the etc.

Farewell to Kaithy Shaidle

She left us with one hell of a fine obituary.

Following a tedious rendezvous with ovarian cancer, Kathy Shaidle has died, wishing she’d spent more time at the office.

Her tombstone reads: GET OFF MY LAWN!

She is relieved she won’t have to update her LinkedIn profile, shave her legs, or hear “Creep” by Radiohead ever again. Some may even be jealous that she’s getting out of enduring a Biden presidency.

Kathy was a writer, author, columnist and blogging pioneer, as proud of her first book’s Governor General’s Award nomination as of her stint as “Ed Anger” for the Weekly World News. A target for “cancel” culture before the term was coined, she was denounced by all the best people, sometimes for contradictory reasons.

Kathy did not lead a particularly “full life,” her existence having been comprised mostly of a series of unpleasant surprises. Her favourite corporeal pleasure was saying, “I told you so,” which she was able to utter with justification multiple times a day. A bookish movie-buff and agoraphobic homebody, as a child Kathy (as per the Roz Chast cartoon) “always preferred the little couch ride on the merry-go-round.” Yet Kathy managed to acquire a reputation for mouthiness, a side effect of her bullshit allergy.

Contrary to cliche, Kathy did not conduct herself with particular “grace,” “dignity” or “courage” in her final months. She didn’t “bravely fight on” after her cancer was pronounced terminal. All she did was (barely) cope, and then only with assistance from her generous employer, and some energetic and selfless friends whom she’d somehow managed to acquire over the years, much to her astonishment. Of course, the greatest of these was her stalwart beloved of over 20 years, Arnie, with whom she is now in the ultimate long distance relationship. They can all finally catch up on their sleep.

Kathy’s bereaved co-blogger Mark Steyn adds:

It is with great sadness that we announce the death of Kathy Shaidle, a dear friend and our peerless movie essayist, who left us just before six o’clock this morning at Mississauga Hospital in Ontario.

In a too short life, Kathy wrote in almost every form: She is the only writer I know who was both a respected poet nominated for major prizes and the “Ed Anger” columnist of The Weekly World News. And, as most of you know, after 9/11 she became the leading Canadian polemicist in the great messy decentralized blogosphere we miss so much in the age of Social Media woketalitarianism.

There will be time to discuss all that in the days ahead. But on Saturday evenings, for the past several years, Kathy was here every week to talk about movies. A decade or so back, I had suggested to the fellows who run Maclean’s that they snap her up to do a column on pop culture, because nobody wrote better on Joan Crawford, punk and a zillion other subjects. They were a little nervous of that, and somewhere along the way Maclean’s ceased to be a thing, and so at some point I just thought, “Aw, nuts! We should snap her up ourselves.”

What I particularly loved about Kathy’s film essays was the occasional glimpses she gave us of her own life. One should not take it all as gospel: She had a carefully constructed persona as an agoraphobic misanthrope who never left the flat. Whereas, as Mark Steyn cruisers who had the good fortune to be at her dinner table will attest, in real life she was gregarious and occasionally (as I told her a couple of weeks back somewhat to her horror) verging on bubbly. I had the pleasure a few years ago of introducing her to half the Canadian cabinet over pizza at the Prime Minister’s house. Reading about it afterwards, the highly-strung leftie bloggers were horrified at the thought of the hated Shaidle piercing the holy sanctum of 24 Sussex Drive like a one-woman trial run for the mob’s storming of the US Capitol. But the various ministers of the Crown seemed to enjoy the opportunity to shoot the breeze with her – as we all did.

I especially love the Ed Anger business, which, despite having been an Anger devotee myself in the long ago and far away—despite a good friend of mine having also worked at WWN back in the halcyon Bat Boy era, even*—I didn’t know about before now. Steyn has a second Shaidle memorial post up, featuring a video compendium of scorching quotes from her appearances on the Mark Steyn Show.

Rest now, girlfriend; forever may you be be at peace. And: well done.

* Believe it or not, I actually had a Bat Boy t-shirt that was sent to me by said friend as a gift, a garment I wore with tremendous pride until the thing was nothing but a tattered rag, as any decent, right-thinking American would have. She also revealed the epic Bat Boy behind-the-scenes story to me back then—a sordid, shocking tale of love, bravery, and betrayal which is now so highly-classified I could easily be killed by shadowy Black-Ops assassins for even having brought it up.

The blood of patriots

Couldn’t come up with a way to improve on ZMan’s title, so I lifted it.

Yesterday, Ashli Babbitt was shot in the neck and died while protesting inside the Capitol with other protestors. A group of angry Trump supporters had got into the building and were making a racket. This is not an unusual occurrence. During the Kavanaugh hearings, Democrats organized mobs of screeching women to harass Republicans in the halls of the Capitol. Party media was there to celebrate it as the purest expression of democracy. It was power to the people time.

That was not the case yesterday, according to the media. Instead, it was a direct threat to “our” democracy. This is a bit ironic in that the protests are over the obvious corruption in the election system. The direct threat to democracy is the people demanding their elections be fair and honest. That’s why Ashli Babbitt was inside the Capitol making a racket. Her whole life she had been told this was how citizens angry at their government demand redress when the system fails.

That is how popular government is supposed to work. The people expect their government to be responsive to the will of the people. When they don’t like that they see, they vote for different people to hold office. If those politicians ignore the people, then the people go bang on their door and demand redress of their grievances. The politicians then come out and address their issues. That’s not it works now. Instead, they open fire on the people like they did yesterday.

Ashli Babbitt was not some drug-addled degenerate, like we saw last summer, when the ruling class unleashed their mobs on us. She was a veteran, serving 14 years in the US Air Force, and she was a high-level security official throughout her time in service. She was like most of the people at the protest, in that she had bought into what she was told about America. So much so she signed onto serve in the military and go overseas in various deployments.

Of course, unlike George Floyd, Ashli Babbitt will not get three nationally televised funerals and be treated as a fallen hero. That honor goes to drug-addled criminals who overdose in police custody. In this America, patriots who served their country and exercise their rights get gunned down by agents of the state. This woman, this patriot, bleeding out in the halls of the Capitol, murdered by an agent of the state, is the perfect image of what has gone terribly wrong in America.

No doubt, millions of decent people who sympathized with her cause are saddened by this terrible tragedy. It did not have to come to this. This was not an accident. This was not a terrible misfortune. The people on the other side of that door, the people who celebrate the murderer of Ashli Babbitt now, they did this. They created this crisis that threatens to plunge to country into a death spiral. They had choices and they had plenty of warning, but they refused to listen and now Ashli Babbitt is dead.

This is one of ZMan’s all-time best; my excessive excerpting notwithstanding, you’ll want to read all of it.

I’ve seen reports that the bloodthirsty, cowardly pig—a word I do NOT just lightly throw around, not ever—who wantonly murdered Ashli was either Capitol Police or, as Z says, a member of the traitor Pence’s security detail. Whatever the case may be, the filthy scum should be doxxed, then spend the rest of his abbreviated existence being hounded by other patriots at his very doorstep. And that’s just for starters. If I was Ashli’s poor husband, I would certainly dedicate the rest of my life to, as Sgt Barnes said in Platoon, taking a personal interest in seeing him suffer.




Via WRSA, Yon says this means war.



Michael is definitely a guy who would know one when he sees one. How terrible that, at this point, we must hope he’s right. But one way or another, by any means necessary, we cannot allow this woman to die in vain. We MUST not.

Avenge-Ashli.png

First blood

Ruthlessly murdered by DC Chekisti swine.

KUSI News confirms identity of woman shot and killed inside US Capitol
WASHINGTON (KUSI) — The woman who was shot and killed inside the US Capitol during the protests was from the San Diego area.

The woman is Ashli Babbit, a 14-year veteran, who served four tours with the US Air Force, and was a high level security official throughout her time in service.

Her husband says she was a strong supporter of President Trump, and was a great patriot to all who knew her.

Heartfelt condolences to her family; may flights of angels sing her to her eternal rest. Ashli should be remembered and revered for all time as a courageous martyr to the cause of freedom. She died fulfilling her oath to the Constitution; all Real Americans now bear the sacred duty of seeing to it that she is righteously avenged, her sacrifice redeemed in fullest measure. May God bless her sould and comfort her grieving loved ones.

AshliBabbitt.png

Image swiped from Concerned American.

A splash of Cranberries

The Cranberries have always been one my favorite bands, much though that might seem to clash with some of my other, umm, known proclivities. Fronted by the late, lamented, and completely lovely Dolores O’Riordan, they were one of those bands whose sound was so distinctive that you always recognized any song of theirs within only a handful of bars. About Dolores:

Dolores Mary Eileen O’Riordan (/oʊˈrɪərdən/; 6 September 1971 – 15 January 2018) was an Irish musician, singer, and songwriter. She was best known as the lead vocalist and lyricist for the alternative rock band the Cranberries. O’Riordan was one of the most recognizable female voices in rock in the 1990s and in pop history. She was known for her lilting mezzo-soprano voice,[5] her signature yodel, her emphasised use of keening, and her strong Limerick accent. With the Cranberries, she is regarded to have written “some of the most seminal songs in music history”.

Poor lass lived an extremely eventful life:

O’Riordan was singing before she could talk. When she was five years of age, the principal of her school took her into the sixth class, sat her on the teacher’s desk, and told her to sing for the twelve-year-old students in the class. She started with traditional Irish music and playing the Irish tin whistle when she went to school. When she was seven years old, her sister accidentally burned the house down; the rural community was able to raise funds to purchase the family a new homestead. Her formative experiences were as a liturgical soloist in the choir in local church and as singer at school. From the age of eight, she was sexually abused for four years by a person whom she trusted. At the age of ten, she would sing in local pubs where her uncles took her.

All that, and it only brings us up to age ten. Oh, did I mention she was quite the fair Colleen? Because I assure you, she was.

DoloresORiordan.jpg

Not that an abundance of personal pulchritude matters much when you can belt it out like she could.







Those last two are my own personal Best Of’s, but the real reason I thought of mentioning all this tonight relates to the first one. See, on the drive home from work earlier I heard Bad Wolves’ regrettable remake of Zombie. Not that they made such a terrible job of it, mind. In fact, to their enormous credit, the vid for the Bad Wolves version is quite tasteful, nicely highlighting the band’s obvious respect and affection for Dolores and the Cranberries. Nonetheless: some songs are just better left alone, y’know? Sleeping dogs, all that jazz.

Which brings Five Finger Death Punch to mind. From what I can gather, 5FDP seems to be big on the remakes as well, unfortunately including another perennial fave of mine: Bad Company’s signature tune. Please understand, I have nothing whatsoever against 5FDP and wish them nothing but success. Nor am I opposed to cover songs per se, having recorded a whole passel of ’em over the years my own self, offering neither shame nor apology for having thus sinned. Just the same: sorry fellas, but some things simply can’t be improved upon, and it’s sheer folly to even try.

Oh, and while we’re at it, I will never begin to understand why Bad Wolves didn’t name themselves The Big Bad Wolves when they had the chance. Redoing Zombie I can maybe make allowances for, but that lapse? Unforgivable.

TERRIBLE news

Another good man gone, one we could hardly afford to lose.

Walter Williams loved teaching. Unlike too many other teachers today, he made it a point never to impose his opinions on his students. Those who read his syndicated newspaper columns know that he expressed his opinions boldly and unequivocally there. But not in the classroom.

Walter once said he hoped that, on the day he died, he would have taught a class that day. And that is just the way it was, when he died on Wednesday, December 2, 2020.

He was my best friend for half a century. There was no one I trusted more or whose integrity I respected more. Since he was younger than me, I chose him to be my literary executor, to take control of my books after I was gone.

But his death is a reminder that no one really has anything to say about such things.

Dr Williams was a top-tier thinker, a brilliant writer, and a true character, a man who will sorely be missed. The above excerpt is from an obit written by the great Thomas Sowell, another whose eventual loss Team Liberty will feel keenly. More from Nick Gillespie:

Williams was so libertarian that he refused to accept the term as a descriptor. I interviewed him in 2011 and asked him whether he saw himself as part of the libertarian movement to which he had contributed so much. No, he said. “I just do my own thing.”

Born in Philadelphia in 1936, Williams grew up as a neighbor to Bill Cosby in the city’s racially segregated housing projects and was drafted into the peacetime Army during the Cold War. A self-described “crazy-ass man who insisted on talking about liberty in America” long before he was a public intellectual, the racist violence and abuse he suffered at the hands of police, military officers, and other authorities informed much of his work. In his powerful, evocative 2010 memoir, Up From the Projects, he recounts the time when, as a cab driver in the City of Brotherly Love, he was ordered out of his cab by a white officer, beaten up, and then charged with disorderly conduct. He wasn’t thrilled about being drafted and being sent to a base in pre-integration Georgia. Disgusted by the pervasive racism he encountered in the military, Private Williams wrote to his commander in chief, President John F. Kennedy:

“Should Negroes be relieved of their service obligation or continue defending and dying for empty promises of freedom and equality… Or should we demand human rights as our Founding Fathers did at the risk of being called extremists….I contend that we relieve ourselves of oppression in a manner that is in keeping with the great heritage of our nation.”

Williams was also a contrarian. He attacked discrimination by the state but defended the rights of private citizens to exclude whomever they wanted for whatever reason. A public library, he said, couldn’t discriminate, but a private library could turn away anyone it wanted to. From our 2011 interview:

One of my strong values is freedom of association. If you believe in freedom of association, you have to accept that people will associate in ways that you find offensive. I believe people have the right to discriminate on any basis they want, so long as they’re not using a government [to do so].

Williams had a great flair for the apocalyptic. In his columns and during stints guest-hosting for Rush Limbaugh, he would often argue that America had irrevocably lost its way, especially when it came to defending the economic freedom that he believed was essential to rising living standards. If his rhetoric ran hot, he nevertheless asked questions that are well worth considering a decade after the Great Recession and in the midst of a medically induced economic coma.

That doesn’t go nearly far enough to suit me. In fact, such questions are more than merely “well worth considering,” and not just for a decade either. They are eternal, and essential. It is vital that they are kept front and center in the mind of any person who hopes to live free in defiance of the petty tyrants that plague us, not for decades but for all time. They are a direct representation of the “constant vigilance” so urgently commended to us as no less than the price of liberty.

Are we so arrogant…to think that we are different from other people around the world?… How different are we from the Romans, who went down the tubes, or the British, or the French, or the Spanish, or the Portuguese? These are great empires of the past, but they went down the tubes for roughly the same things that we’re doing. Liberty is the rare state of affairs in mankind’s history, arbitrary abuse and control by others is the standard dish even now. All the tendencies are for us to have greater and greater amounts of our liberty usurped by government.

How perfectly Dr Williams’ statement dovetails with at least one alternate version of the “eternal vigilance” quote frequently attributed to Jefferson:

Eternal vigilance is the price of liberty; power is ever stealing from the many to the few. The manna of popular liberty must be gathered each day or it is rotten. The living sap of today outgrows the dead rind of yesterday. The hand entrusted with power becomes, either from human depravity or esprit de corps, the necessary enemy of the people. Only by continued oversight can the democrat in office be prevented from hardening into a despot; only by unintermitted agitation can a people be sufficiently awake to principle not to let liberty be smothered in material prosperity.

Per-zackly, and you can be sure that Williams knew it quite well too. Back over to Gillespie for the sign-off.

If we are not as far down the road to serfdom as he feared, it’s in good part due to his voluminous writings and appearances which were by turns impassioned, funny, insightful, and memorable as hell. Walter E. Williams, rest in peace.

Amen to that. Fare ye well, Walter Williams. Forever may you rest in peace, good sir.

Update! Dr Williams’ last Townhall column can be found here.

Fright flashback

What would Halloween be without a little Vincent Price?

I’ve complained about my hometown before, but am obliged to say at this juncture that in humble Hamilton, Ontario, Canada, we actually had something better.

The Hilarious House of Frightenstein was produced in 1971 by our one and only TV station, CHCH. This hour-long, 130-episode kids’ show combined the mid-century sensibility of Famous Monsters of Filmland with the then-hip look and sound of psychedelia: kaleidoscopic “special effects” plus Top 40 hits spun by “The Wolfman,” an affectionate rip-off of legendary DJ Wolfman Jack.

Frightenstein’s only real star was Vincent Price, who appears at the beginning and end of each episode, and reads mock-macabre poems and other interstitials.

Frightenstein’s producer tracked down Price, who agreed to work for $3000 a day, one quarter of his usual per-diem appearance rate.

He loved children, he explained simply. And the gig sounded like fun.

CHCH checked their tiny budget. They could only afford Price for four days, tops.

Four days it would have to be.

Everyone signed on the dotted line.

I’ve heard the story of what happened next from different sources, and it never ceases to warm my heart:

Price arrived at the modest TV studio, got into makeup and costume and was handed reams of doggerel poems about some crazy characters he’d never heard of before.

He’d read each piece once, put his head down, then look up at the camera’s red light and utter his lines perfectly in one take.

Next!

New makeup, new costume, same perfect delivery, hour after hour.

Finally, it was time for a break. The weary yet exhilarated crew turned off the cameras and lights.

Then they looked around and realized that Vincent Price had disappeared.

Oh well, they said to each other, what do you expect? He’s a big star and all. Plus he’s, like, 60 years old, so he probably went for a nap…

The studio door opened a few minutes later.

It was Vincent Price and a cab driver, hauling “two-fours” of beer from the nearby Brewer’s Retail.

He handed cold stubbies out to the cast and crew and regaled them with tales of old Hollywood, his days working with Karloff and Peter Lorre and Gene Tierney and Cecil B. DeMille and all the other greats he’d known.

Then he posed for photos with everybody individually.

On an overnight rush, these were blown up into 8 x 10s, which Price personally autographed for everyone at the station.

Over the course of four days, taping over 400 of these interstitials, Price never complained, blew a line or missed a mark.

In an era when standards of conduct were collapsing, Vincent Price insisted on behaving like the well-bred gentleman he so often portrayed on screen.

What a wonderful story. Like Sean Connery, Vincent Price was another icon from a now-lost and lamented era. Steyn Kathy Shaidle (oops, my bad—M) is right to laud his rock-solid, unflappable professionalism, and here’s the proof:



Also like Connery, we’ll never see Vincent Price’s like again. Which is really kind of tragic for the rest of us, when you think about it.

Update! Okay, one last hurrah for Halloween.




Can’t remember where I ran across this, so no “Via” link, but it’s good stuff.

Shaken, not stirred

Gonna have to break my no-Tweet rule again for this one, I’m afraid. But it’s Schlichter’s, so I don’t feel TOO bad about that.



Heh. I see what you did there, Kurt. A fond fare thee well to one of the all-time greats; I can only hope my own obituary reads something like the part I put in boldface.

Sean Connery, the most iconic James Bond actor, is now having drinks with the Man Upstairs. The acting giant passed away in his sleep overnight in the Bahamas. His loss is tragic, but he lived to the age of 90.

If you gotta go—and let’s face it, we all do—this would have to be one of the best ways I can thnk of to do it. More:

Sean Connery’s style, grace and sheer magnetism brought Ian Fleming’s character of James Bond to life. It was Connery’s interpretation of 007 that helped establish the foundation of success upon which the entire James Bond series has been built.

Born in Fountainbridge, Scotland, Connery had many jobs before he joined the Royal Navy hoping to see the world. Having served for three years as an able seaman assigned to battleships he was discharged and trained as a French polisher before deciding to enter the Mr Universe contest in 1953. He won a bronze medal in his weight division. At the age of 23 he had a choice between becoming a professional footballer for Manchester United or an actor and he chose acting.

So: a Trump man; a bold and intrepid soul; a man’s man and a real gentleman through and through; a film icon; a roustabout and wanderer; a true Scotsman; hell, the guy even sported a pair of tattoos from his Navy years. With all that going for him, seems to me like dying peacefully in his sleep at 90 in the friggin’ Bahamas just might have been God’s way of rewarding Connery for a life well-lived.

Rest in peace, Sir Sean, and bravo.

RIP Eddie

Of course y’all know that Eddie Van Halen passed away the other day. I won’t belabor the thing by saying much, beyond repeating what everybody else already said: the man was just a stupendous player, truly one of a kind. His influence on the evolution of rock guitar-playing is simply incalculable. I was fortunate enough to see ’em live in Charlotte on their first arena tour after that first blockbuster album was released, and was duly blown away not just by Eddie, but by the whole damned band—they were ALL fantastic. That show remains one of the best I ever did see, and ever expect to see. So without further ado, a vid or two.




My very favorite VH song of ’em all, and a goofy, fun video too. Which was typical of them; their videos were always light-hearted, tongue-in-cheek, and…well, just plain FUN to watch. You could accuse VH of a lot of things, maybe but taking themselves too seriously was never one of ’em. This next one is interesting: a compilation of five great live Eddie solos.



Next is another intriguing oddity: the one and only Slash opines on EVH’s passing.


Slash is a most hellacious player his own bad self, although I never much cared for Guns N Roses, honestly. Don’t get me wrong here; the band itself was excellent, as the short-lived Velvet Revolver side project with the late, great Scott Weiland more than amply demonstrated. It was that goddamned whiny pissant Axel Rose I couldn’t stomach.

Aw, what the hell, while we’re on the subject…yes, I know it ain’t EVH, but somehow I don’t think he’d resent the digression.




Goooood shit. Rest easy, Eddie Van Halen; the guitar-slinger bar in Rock ‘N’ Roll Heaven’s house band, already ridiculously high, just got seriously raised.

Forty years after

And suddenly, a new contender appears.

The song grabs you in the first two seconds: two shots on an E chord, followed by quarter-note hi-hat hits. You know something big’s going to happen. No—it already is happening.

At five seconds, the hi-hat hits double into eighth-notes as the E chord shots repeat. At seven seconds, the addition of a swung sixteenth-note (played on cowbell with a brush) signals the imminent, exhilarating plunge into a song you’ve never heard, but which you now want to hear more than anything else.

And at twelve seconds, an authoritative, effortlessly-executed drum fill plunges you into what might be rock and roll’s greatest first song on a first album, ever…and we already know—before the song, or even a proper drum part, has started—we’re in the presence of drumming greatness. The rest of the song, as well as the rest of the album, only further confirms it.

If you’re as dyed-in-the-wool a rocker as I am, you already know which song he’s talking about, and which band, and which drummer. The surprise here, though, isn’t that it’s another great music post from Steyn Online. The surprise is that it isn’t Steyn writing this one; it’s his increasingly-impressive co-author, Tal Bachman, who is the scion of a pretty danged rich rock and roll legacy his own bad self.

I don’t even have to say it, right?

Tragedy, or atrocity?

Just sickening.

Jake Gardner — awaiting arrest after a grand jury in Omaha indicted him last week — shot himself outside a medical clinic in suburban Portland, Oregon, two law enforcement officials told The World-Herald. Police in Hillsboro, Oregon, found the 38-year-old former Marine dead from a self-inflicted gunshot wound about 12:20 p.m.

Gardner’s attorneys, Stu Dornan and Tom Monaghan, said Gardner shot himself on the day he had said he would surrender in connection with manslaughter and three other felony charges stemming from the May 30 confrontation that led to the death of 22-year-old James Scurlock.

Now, both men are dead. By the same hand.

Sunday, Dornan and Monaghan blamed Gardner’s apparent suicide on a cocktail of behavioral health problems stemming from head trauma he experienced during military service; the belief that people were out to kill him; and an “incessant rush to judgment” by social media jockeys.

Dornan said Douglas County Attorney Don Kleine — who defeated Dornan in 2006 to become county attorney — had made the right call in ruling Gardner’s actions justified. Gardner had claimed that Scurlock had him in a chokehold and wouldn’t let go, despite Gardner’s repeated pleas to “get off me.” At the end of the 18-second struggle, Gardner switched the gun to his left hand and fired over his shoulder, killing Scurlock.

Grand jurors, under the guidance of a special prosecutor, ruled out self-defense as a justification.

Bottom line, Dornan and Monaghan said, Gardner had lost his bars (a landlord ended his lease after the shooting), his home, his livelihood. And he was about to lose his freedom. Add in behavioral health concerns, Dornan said, and suicide was not a surprise, even though his attorneys fully expected him to turn himself in Sunday night. Monaghan said Gardner did not leave a suicide note.

“I had the opportunity to talk with Mr. Gardner before his return, and he was really shook up,” Dornan said. “The grand jury indictment was a shock to him, it was a shock to us, it was a shock to many people.”

As a monstrous abuse of any reasonable concept of justice, shocking would certainly be one way to describe it, yeah. I can think of others. And so can Ace.

The Omaha Man Who Shot a BLM Attacker in a Videotaped Open-and-Shut Case of Self-Defense Was Indicted to Appease the Mob.
That Man Has Now Committed Suicide.
Ace

BLM will attack you, and unless you allow yourself to be murdered or to have your head bashed in and left with brain damage, the agents of the state will then act as BLM’s enforcement officers and imprison you for defying the illegal demands of BLM.

It’s now legal to resist a police officer but it’s illegal to resist a BLM rioter and street thug?

Had enough yet?

We’ll find out soon enough, I guess. As Ace goes on to say, this poor Marine was pretty much murdered by the prosecutor on behalf of Burn Loot Murder. There damned sure ought to be a steep price paid for that, and I mean with a quickness, too. Otherwise, we’ll know that no, we apparently have NOT had enough just yet. And will be getting more of it, too.

Update! Herschel with the skinny on our New Rules.

War has been declared on you, your family, and your possessions.  You’ve seen enough instances like this to know how it’s going to go down.

You behave according to traditional Western and Biblical jurisprudence, and then the unthinkable happens…

This all happens if you use traditional TTPs to defend yourself and your family, even attempting to warn rioters with warning shots because you don’t really want to harm anyone, under the assumption that America is still a civilized and just society, not at war with itself.

Bottom line: in Amerika v2.0, if you’re white, you have NO right to defend yourself, under any circumstances whatsoever. Your one and only “right” is to passively submit to any and all abuse—verbal, physical, or Other—that your Approved Minority Group attacker may decide to deal out. Call it “reparational justice,” let’s say. Please don’t forget to humbly express profoundest gratitude to your “oppressed” tormenter for enlightening you, and for helping you to “evolve” into a far better person.

Via WRSA, who explains:

You now live in New Sarajevo.

Plan and execute accordingly.

I’m not entirely sure that there’s any comparison to be made that’s sufficient to do our current Kafka-esque situation justice at this point.

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