““What a time to be alive! If we lose America, shame on us

Another lightbulb goes on.

Anthony Braxton is a composer and multi-instrumentalist who, over the past fifty years, has written hundreds of jazz, classical, and unclassifiable avant-garde musical works, along with operas and innovative combinations of improvised, pre-composed, and recorded music. The fact that he is not a household name in America today is one of the signs that our culture does not recognize its true heroes. However, despite being a towering figure in a musical and cultural context that is dominated by the far-Left, Braxton, a black American who is now 76, in an interview Friday expressed his unabashed love for America and his deep consternation over the forces that are now endeavoring to destroy it. It took courage and a willingness to swim against the tide – but for half a century, Braxton has shown with his fiercely uncompromising music that he is willing and able to do that.

In the interview at the Grammy Awards website, Braxton says: “ For me, I’m just a country boy. [At this point, the Grammy interviewer adds the notation that Braxton’s “voice cracks with emotion.”] I’m a lucky guy to be born an American citizen. When I think about all the great music that’s happening—especially the music that’s come from Americans—again, I can only just bow to the Creator.”

Speaking about his forthcoming release, the massive 13-disc Quartet (Standards) 2020, which features Braxton on various saxophones playing 67 classic jazz songs, Braxton says: “What I’ve tried to do every decade is a project from the American Songbook. From the repertoire of the great American people, we take everything for granted. But, actually, in America, we have so much. We have options on so many different levels. There are so many different kinds of musics. We are so lucky, but of course, not everyone is able to recognize how fortunate we are, because it’s all around us all the time.”

This leads the master musician into an extraordinary paean to this country, and a criticism of current trends: “There is a separation between real America and what is being reported about our great country. More and more, there is an effort to teach our young people that America has not been an agent of something positive, but rather, America has been an agent of something that is negative.” He adds: “I respect everyone’s viewpoint, but I would say this. In my opinion, the United States of America is one of the greatest countries that has ever happened to humanity. I think the men and women of America are some of the best people on this planet. But every day, I look at the internet—I gave up television and the radio years ago—and I’m reading about a perspective that is outrageous.”

 After naming some of the composers, musicians, and others who have influenced him and get too little attention, Braxton says: “So, we watch the ascension of the great nation of China while, at the same time, our country is sinking because many of our young people are not being taught about what and who we really are as Americans….Unless change happens, we will have no way to avoid a cataclysmic experience.”

Braxton brushes aside the idea that there is something intrinsically wrong with this country: “There’s always room for improvement, but I’m not interested in utopia. No heaven, no paradise. Give me America! There are good people, so-called bad people, people on the left, people on the right.” He even rejects the Left’s current revision of American history: “There are complex forces in the air that are very separate from what one would have thought. The majority of the American people have been moving forward on the issue of slavery from the beginning. The whole concept of free states and slave states demonstrated immediately that there was opposition to slavery….In America, there’s always been a movement to challenge those ideas. But you would not know that today!”

Someone, Braxton says, is behind this movement toward disunity: “Certain sectors have been brought in to create separatism that didn’t really exist in the same way that we are experiencing it now. It’s very fashionable to be racist against white Americans, especially white men….What I’m saying is that someone made the decision to promote that vibration and put it in a different position.”

Believe it or not, there’s more yet from this very wise jazzman at the link. Never having been interested in modern jazz, I’m not at all familiar with Braxton. But after this, he’s one hundred percent a-okay in my book.

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Meiji_man

That’s not a lightbulb “Going on”
That’s the old Flame that’s still burning in some.

HazHap

Note that a man of accomplishment such as Braxton is hardly known outside of his particular niche, while a life-long petty criminal and drug addict like Fentanyl Floyd is treated as a quasi-saint and a “role model” for black youth. Thug rappers are household names and make millions, while Braxton is unknown. Is it any wonder our nation is in the state we see around us today?

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