Its spirit of rebellion, iconoclasm, and just plain orneriness, apparently, lives on in some quarters.
Former lead singer and primary songwriter of the legendary punk band the Misfits, Michale Graves, is hosting a patriotic talk and music podcast — and it is a must listen.
His show, Radio Deadly with Michale Graves, is described as “an unconventional talk show that fuses patriotic politics with punk rock set in a format that calls back to the classic days of talk/music radio.”
Speaking to the Gateway Pundit, Graves said that he is trying to create a variety show, bringing together culture and intellectual discussions about the things that matter.
Graves explained that he is also trying to add in comedy and humor with a hilarious woke-puppet named “Grimple Graves” that lectures the musician for his problematic wrongthink.
“I’m trying to bring a sense of comedy to the show. I really think that it’s important, as we go through what we’re going through, that we remember to laugh and create things that make us laugh and smile,” Graves explained. The left, he noted, don’t appear to be able to have any fun anymore. “I don’t think they’re able to smile. Their faces don’t even do it anymore,” he said.
Though the show was originally launched about a decade ago, it has a new home on Censored.TV, the home of many deplatformed personalities from the right including Gavin McInnes, Milo Yiannopoulos, and Jim Goad. He is often joined by the show’s producer, film director, journalist, and frequent guest on “Friday Night’s All Right;” Pawl Bazile, as well as Graves’s manager, army vet, and co-host of “the Michale Graves Show” on YouTube; Arturo Santaella.
Topics range from current events, politics, and music — to his Christian faith and serious spiritual matters.
Good on ya, Michale, all the way ’round—although I feel it incumbent upon me to point out that Graves was NOT the singer for the original Misfits, but for the years-later reboot of the band that their founder and original singer, Glenn Danzig, wanted nothing to do with.
After a long legal battle, Glenn agrees to a settlement with Jerry and Doyle, along with Caroline Records, on January 1. The deal allows the two to perform and record under the name the Misfits, but also discontinues the entire Samhain catalogue. The same day Plan 9 becomes defunct. After a Danzig show in New Jersey on April 26, Jerry and Doyle knock on Glenn’s hotel room door and ask if he wants to rejoin the Misfits. Jerry later tells Metal Maniacs, “We went to his door and knocked and 15 minutes later security came and walked us out of the hotel. So we took that as a ‘no.'” In an interview with Seconds, Glenn shares his true feelings about the new version of the Misfits. “The band you’re seeing right now as the Misfits is not the Misfits. It’s one guy trying to relive something and make some money because punk is fashionable again. It’s not the Misfits and everyone who’s seen them has called me and said, ‘What the fuck is this?'”
WELL, then. But no matter, Graves still clearly has his head screwed on right:
Graves, despite being a punk legend, is facing severe backlash for agreeing to be a witness for the defense for Proud Boys who are being charged over the January 6 Capitol protest.
The influential musician maintains that there was no plan for an insurrection, and that members of the Proud Boys who were at a Latinos for Trump event that he went to had asked him to perform at a party later that day. Hardly sounding like people who were gearing up to go try and topple the government.
Three cheers, a tip of the cap, and good on ya again, Michale. Having brought up Glenn Danzig and all:
GLENN DANZIG: MISFITS COULDN’T HAPPEN TODAY DUE TO “CANCEL CULTURE”
“You could never have the punk explosion nowadays because of woke bullshit”
He’s right about that, and you know he is.
Now myself, I never much cared for the Misfits, either then or now. Danzig has a cpl-three songs I like, but still…meh. So instead of embedding any of that stuff, I’ll just go with the song I lifted my post title from, by a vintage punk band I DO like.
The Exploited’s early recordings were kind of thin and creaky-sounding, a matter more of production values (or lack of them) than anything else. Later on, the power and OOMPH! always present in their live shows was brought to the fore, a difference that’s kinda hard to miss here:
Yeeeaaah. THAT’S more like it.
I’m sure I’ve recounted the tale here before of the time I kinda-sorta inadvertently got Glenn Danzig—a dedicated straight-edge type, mind—stoned to the bejeezus bells one night in a Lower East Side bar I worked in, the world-renowned No-Tell Motel on Ave A (a great interview with No-Tell’s founder and proprietor, my old friend Deb Parker, can be perused here).
Deal was, the girl I worked with would now and then bring in brownies, cookies, or what have you made with some of the most potent weed I ever did run across. She’d put them out on the bar on a plate, for our in-the-know friends and barfly regulars to, umm, enjoy.
Now, Glenn was a semi-regular at No-Tell his own self, and happened to be in on one of those extry-special Friday nights when there were spiked comestibles present. Sure enough, Glenn asked me if he could have a cookie; after a moment’s hesitation I simply shrugged and said, “sure, man, go right ahead.” Next time I turn around, Glenn is grinning woozily, bleary eyed, and swaying on his stool, surrounded by other bar patrons heartily slapping him on the back and razzing him.
If you know him, don’t tell him I told y’all about this, ‘kay?