Cold Fury

Harshing your mellow since 9/01

Plaster saint

Correcting the liberal rewrite of history, one chapter at a time. This one’s from the wayback machine for sure (1983), but still worth a look if you don’t know much about the subject.

I had the singular honor of attending an early private screening of Gandhi with an audience of invited guests from the National Council of Churches. At the end of the three-hour movie there was hardly, as they say, a dry eye in the house. When the lights came up I fell into conversation with a young woman who observed, reverently, that Gandhi’s last words were “Oh, God,” causing me to remark regretfully that the real Gandhi had not spoken in English, but had cried, Hai Rama! (“Oh, Rama”). Well, Rama was just Indian for God, she replied, at which I felt compelled to explain that, alas, Rama, collectively with his three half-brothers, represented the seventh reincarnation of Vishnu. The young woman, who seemed to have been under the impression that Hinduism was Christianity under another name, sensed somehow that she had fallen on an uncongenial spirit, and the conversation ended.

At a dinner party shortly afterward, a friend of mine, who had visited India many times and even gone to the trouble of learning Hindi, objected strenuously that the picture of Gandhi that emerges in the movie is grossly inaccurate, omitting, as one of many examples, that when Gandhi’s wife lay dying of pneumonia and British doctors insisted that a shot of penicillin would save her, Gandhi refused to have this alien medicine injected in her body and simply let her die. (It must be noted that when Gandhi contracted malaria shortly afterward he accepted for himself the alien medicine quinine, and that when he had appendicitis he allowed British doctors to perform on him the alien outrage of an appendectomy.) All of this produced a wistful mooing from an editor of a major newspaper and a recalcitrant, “But still. . . .” I would prefer to explicate things more substantial than a wistful mooing, but there is little doubt it meant the editor in question felt that even if the real Mohandas K. Gandhi had been different from the Gandhi of the movie it would have been nice if he had been like the movie-Gandhi, and that presenting him in this admittedly false manner was beautiful, stirring, and perhaps socially beneficial.

Well, of course–there was a Valuable Lesson to teach us, and libtards are always seeking to “educate” the rest of us benighted swine in this fashion. Thus:

Gandhi, therefore, the film, this paid political advertisement for the government of India, is organized around three axes: (1) Anti-racism—all men are equal regardless of race, color, creed, etc.; (2) anti-colonialism, which in present terms translates as support for the Third World, including, most eminently, India; (3) nonviolence, presented as an absolutist pacifism. There are other, secondary precepts and subheadings. Gandhi is portrayed as the quintessence of tolerance (“I am a Hindu and a Muslim and a Christian and a Jew”), of basic friendliness to Britain (“The British have been with us for a long time and when they leave we want them to leave as friends”), of devotion to his wife and family. His vow of chastity is represented as something selfless and holy, rather like the celibacy of the Catholic clergy. But, above all, Gandhi’s life and teachings are presented as having great import for us today. We must learn from Gandhi.

I propose to demonstrate that the film grotesquely distorts both Gandhi’s life and character to the point that it is nothing more than a pious fraud, and a fraud of the most egregious kind. Hackneyed Indian falsehoods such as that “the British keep trying to break India up” (as if Britain didn’t give India a unity it had never enjoyed in history), or that the British created Indian poverty (a poverty which had not only existed since time immemorial but had been considered holy), almost pass unnoticed in the tide of adulation for our fictional saint. Gandhi, admittedly, being a devout Hindu, was far more self-contradictory than most public men. Sanskrit scholars tell me that flat self-contradiction is even considered an element of “Sanskrit rhetoric.” Perhaps it is thought to show profundity.

Read all of it, if you’re at all interested in the nuts and bolts of how the Long March Through The Institutions manipulates and deceives those who allow themselves to be hoodwinked by it. It’s about as good a demonstration as you’ll find of the folly of taking Hollywood movies as a reliable source of historical information–even ones that purport to be “historical.” Maybe especially those. It’s a long one, but it’s damned good.

And as far as I’m concerned, it’s yet another demonstration of the overall superiority of Western culture over all others, even–again, especially–those inexplicably revered by the ass-backwards Left. The money quote, and the bottom line? This:

As almost always with historical films, even those more honest than Gandhi, the historical personage on which the movie is based is not only more complex but more interesting than the character shown on the screen.

Seeing as how such rewrites of history are based entirely on the shibboleths of a vacuous, trite, and dull ideology promulgated by people who simply aren’t nearly as bright as they think they are, how could it ever be otherwise?

(Via Ed)


1 thought on “Plaster saint

  1. The movie was funded by the Indian government during its red period. Little wonder then for the gross distortions, such as omitting Ganhdi’s call for the British to surrender to the godly Nazis. It also omits that Japan and India were at the same level of industrialization in 1940 but due to Ganhdi’s economic genius which was followed slavishly by his worshippers by 1960 Japan was a miracle while India served as awarning to American children everywhere, that children were straving in India.

    The movie was a bad joke. Excellent propoganda for the progressives among us though, but a warning to those who like their history to be accurate.

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